Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 98
... speech marked as soliloquy , and the reflexivity of address in speech acts of any kind . What does it mean for a fictional speaker to address a the- ater audience ? Can a speaker who performs for and before others be shown to address ...
... speech marked as soliloquy , and the reflexivity of address in speech acts of any kind . What does it mean for a fictional speaker to address a the- ater audience ? Can a speaker who performs for and before others be shown to address ...
Seite 102
... speech community . Consider , for example , the many occurrences of horse in 1 Henry IV and its multifunctional capacities as an epithet ( the matter of jokes and put - downs ) , a referen- tial sign ( means of transportation , bearer ...
... speech community . Consider , for example , the many occurrences of horse in 1 Henry IV and its multifunctional capacities as an epithet ( the matter of jokes and put - downs ) , a referen- tial sign ( means of transportation , bearer ...
Seite 137
... speech , and produces a very different speaker and mode of speech . The Bastard , in describing the operations of his " new- made honour , " describes socially - dependent linguistic practices in ways that can be discussed further in ...
... speech , and produces a very different speaker and mode of speech . The Bastard , in describing the operations of his " new- made honour , " describes socially - dependent linguistic practices in ways that can be discussed further in ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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