Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 81
... story " ( Barnett 10 ) . Similarly , its relation to the " main drift of the drama " was explained in terms of its furnishing " a contrast to the graver love - story of Bassanio and Portia " or illuminating the character of Shylock ...
... story " ( Barnett 10 ) . Similarly , its relation to the " main drift of the drama " was explained in terms of its furnishing " a contrast to the graver love - story of Bassanio and Portia " or illuminating the character of Shylock ...
Seite 90
... story of " the Jewish virtue of domesticity , " a virtue that , as we have already seen , necessarily connotes ... story of Lopez embedded in the figure of Shylock , manifested yet again the infinitely regressive life of the secret Jew ...
... story of " the Jewish virtue of domesticity , " a virtue that , as we have already seen , necessarily connotes ... story of Lopez embedded in the figure of Shylock , manifested yet again the infinitely regressive life of the secret Jew ...
Seite 343
... story ' but one that , with more sinister over- tones , is told in a double voice ' and which shatters the peace of the hillside ' storming ' the maid's world ' with sorrow's wind and rain ' . Even the maid herself is de- scribed ...
... story ' but one that , with more sinister over- tones , is told in a double voice ' and which shatters the peace of the hillside ' storming ' the maid's world ' with sorrow's wind and rain ' . Even the maid herself is de- scribed ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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