Shakespearean CriticismRalph Berry, Graham Bradshaw, William C. Carroll Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... tion between an individual's reputation and a nation's . Indeed , it is likely that a play featuring a fat rogue named Oldcastle would have insulted William Brooke , a titular descendent of the knight's Cobham Lordship who served ...
... tion between an individual's reputation and a nation's . Indeed , it is likely that a play featuring a fat rogue named Oldcastle would have insulted William Brooke , a titular descendent of the knight's Cobham Lordship who served ...
Seite 343
... tion of Poetic Subjectivity in the Sonnets ( Berkeley : University of California Press , 1986 ) ; de Grazia , “ The Scandal of Shakespeare's Sonnets , " 47. Cf. Stephen Orgel , " Nobody's Perfect : Or Why Did the English Stage Take Boys ...
... tion of Poetic Subjectivity in the Sonnets ( Berkeley : University of California Press , 1986 ) ; de Grazia , “ The Scandal of Shakespeare's Sonnets , " 47. Cf. Stephen Orgel , " Nobody's Perfect : Or Why Did the English Stage Take Boys ...
Seite 359
... tion through the power of merely saying so . The scene is too long and complex to analyze in full here . We should merely note the way in which Antony instan- tiates himself and Cleopatra as a paradigm of the " nobleness of life ...
... tion through the power of merely saying so . The scene is too long and complex to analyze in full here . We should merely note the way in which Antony instan- tiates himself and Cleopatra as a paradigm of the " nobleness of life ...
Inhalt
Representation and Reformation in Measure for Measure | 14 |
Sidney Homann What Do I Do Now? Directing A Midsummer Nights Dream | 23 |
Lisa Hopkins Marriage as Comic Closure | 32 |
Urheberrecht | |
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