Discourse, Bände 5-81987 |
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Seite 123
... classical forms . ( It will like- wise be noted that the passage from one shot to another is often effected in a mode which recalls " classicism . " ) At the same time , a whole series of disturbances are constantly modifying this ...
... classical forms . ( It will like- wise be noted that the passage from one shot to another is often effected in a mode which recalls " classicism . " ) At the same time , a whole series of disturbances are constantly modifying this ...
Seite 32
... classical cinema and alternatives to it . If the classical cinema is less and less perceived as a monolithic , ideologically hegemonic institution , the attendant implications for an alternative cinema are now , accordingly , less clear ...
... classical cinema and alternatives to it . If the classical cinema is less and less perceived as a monolithic , ideologically hegemonic institution , the attendant implications for an alternative cinema are now , accordingly , less clear ...
Seite 109
... classical sound cinema practice . Whereas classical narrative , and even more so , television , divides the signifying materials at the level of pro- duction ( division of labour , the filmic process of specialization of tasks and ...
... classical sound cinema practice . Whereas classical narrative , and even more so , television , divides the signifying materials at the level of pro- duction ( division of labour , the filmic process of specialization of tasks and ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing