Discourse, Bände 5-81987 |
Im Buch
Ergebnisse 1-3 von 56
Seite 34
... identification ? For it is not enough that a film describe or mark out " the problematic of the apparatus , " that ... identification " is still a real issue for a political understanding of cinema , feminist practice must start from the ...
... identification ? For it is not enough that a film describe or mark out " the problematic of the apparatus , " that ... identification " is still a real issue for a political understanding of cinema , feminist practice must start from the ...
Seite 32
... identification with these characters the viewer must turn elsewhere . It is commonly assumed that such a viewer , blocked from character identification , turns instead to the higher strata of nonidentificatory responses . With Kluge's ...
... identification with these characters the viewer must turn elsewhere . It is commonly assumed that such a viewer , blocked from character identification , turns instead to the higher strata of nonidentificatory responses . With Kluge's ...
Seite 66
... identification which structures the look in a comprehensible , anthropomorphic way . In Kluge's practice , however , secondary identification remains highly rudimentary , in the measure that the char- acters upon whom it rests are ...
... identification which structures the look in a comprehensible , anthropomorphic way . In Kluge's practice , however , secondary identification remains highly rudimentary , in the measure that the char- acters upon whom it rests are ...
Inhalt
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing