must refer my readers to Mr. Apsley Pellatt's excellent work, Curiosities of Glass-making. There also will be found an explanation of the millifiore glass, which at first sight seems so inexplicable. We shall know more of the rich treasures which England possesses in the shape of glass, when Mr. Felix Slade is kind enough to give to the world the catalogue of his matchless collection upon which he has been so long engaged. Mr. Slade does not shrink from giving large prices for good and rare specimens. One instance may be quoted as an example. At the Soltikoff sale there was a goblet of rich emerald green colour, with a bulbed and fluted stem powdered with gold. The top and bottom of the bowl were ornamented with gold and jewelled bands, and between these were two medallions supported by cupids and surrounded by garlands, and containing portraits of a lady and gentleman, in the costume of the latter part of the fifteenth century. male figure was the inscription, "Amor vol fee." fine specimen, after a spirited bidding against the for 6,000 francs. On a scroll before the Mr. Slade secured this agents of the Louvre, No specimens of glass in the Bernal collection fetched prices at all approaching to this. We find, however, Mr. N. T. Smith giving 50l. for one fine specimen; Baron Rothschild, 541. for a tazza; and Mr. Slade, the highest price at that sale for such works, 55l. The same sale had some wonderful instances of the manner in which objects of natural history were pressed into service. Bunches of grapes, tulips, rampant horses carrying tazzas, serpents, pelicans, dolphins, and other creatures, are proofs and memorials of the skill of artists in glass in the Venice of former days. Joan of Arc. Und büszen will ich's mit der strengsten Busze I read or dreamed, one sultry summer time, Leaving her heritage of deathless fame A MOSSY battlemented wall went round Telling her beads, with steady pace and slow; A tale of peace and patience worse than pain, "The banners of the battle are gone by, |