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" A work of art does not appeal to the intellect. It does not appeal to the moral sense. Its aim is not to instruct, not to edify, but to awaken an emotion. "
The Study and Enjoyment of Pictures - Seite 7
von Gertrude Richardson Brigham - 1917 - 250 Seiten
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American Painters: with Eighty-three Examples of Their Work Engraved on Wood

George William Sheldon - 1878 - 364 Seiten
...This purpose is " simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It...instruct, not to edify, but to awaken an emotion. This emotion may be one of love, of pity, of veneration, of hate, of pleasure, or of pain ; but it...
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Harper's New Monthly Magazine, Band 56

Henry Mills Alden, Frederick Lewis Allen, Lee Foster Hartman, Thomas Bucklin Wells - 1878 - 978 Seiten
...other minds the impression which a scene has made upon ! 1 1 in. A work of art does not appeal to tho intellect. It does not appeal to the moral sense....instruct, not to edify, but to awaken an emotion. This emotion may be one of love, of pity, of veneration, of hate, of pleasure, or of pain ; but it...
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American painters, Ausgabe 173

George William Sheldon - 1879 - 380 Seiten
...This purpose is " simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It...instruct, not to edify, but to awaken an emotion. This emotion may be one of love, of pity, of veneration, of hate, of pleasure, or of pain ; but it...
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American Painters: With One Hundred and Four Examples of Their Work Engraved ...

George William Sheldon - 1880 - 456 Seiten
...This purpose is " simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It...instruct, not to edify, but to awaken an emotion. This emotion may be one of love, of pity, of veneration, of hate, of pleasure, or of pain ; but it...
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The Changing Order: A Study of Democracy

Oscar Lovell Triggs - 1905 - 312 Seiten
...painter tries to do is simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It...instruct, not to edify, but to awaken an emotion. This emotion may be one of love, of pity, of hate, of pleasure, or of pain ; but it must be a single...
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Masters in Art: A Series of Illustrated Monographs, Bände 9-10

1908 - 730 Seiten
...according to Inness, "is simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It...instruct, not to edify, but to awaken an emotion. This emotion may be one of love, of pity, of veneration, of hate, of pleasure, or of pain; but it must...
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Fifty Years of Modern Painting, Corot to Sargent

John Ernest Phythian - 1908 - 496 Seiten
...painter," he said, "is simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It...aim is not to instruct, not to edify, but to awaken our emotion." A work of art, he said further, should awaken only a single emotion, upon the beauty...
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Fifty Years of Modern Painting, Corot to Sargent

John Ernest Phythian - 1908 - 502 Seiten
...simply to reproduce in other minds the impression which a scene has made upon him. A work of art docs not appeal to the intellect. It does not appeal to...aim is not to instruct, not to edify, but to awaken our emotion." A work of art, he said further, should awaken only a single emotion, upon the beauty...
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A Guide to Biography for Young Readers: American--men of Mind

Burton Egbert Stevenson - 1910 - 430 Seiten
...minds the impression which a scene had made upon him. A work of art does not appeal to the intellect or to the moral sense. Its aim is not to instruct, not to edify, but to awaken an emotion. It must be a single emotion, if the work has unity, as every such work should have, and the true beauty...
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American Men of Mind

Burton Egbert Stevenson - 1910 - 424 Seiten
...minds the impression which a scene had made upon him. A work of art does not appeal to the intellect or to the moral sense. Its aim is not to instruct, not to edify, but to awaken an emotion. It must be a single emotion, if the work has unity, as every such work should have, and the true beauty...
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