Shakespeare: The Poet and His Plays |
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Perhaps the most conspicuous example is the scene in which the Duke , primed
by Proteus , waylays Valentine on his way to elope with Silvia . The Duke ,
pretending to seek advice on how he may pursue a love - affair of his own ,
winkles out ...
Perhaps the most conspicuous example is the scene in which the Duke , primed
by Proteus , waylays Valentine on his way to elope with Silvia . The Duke ,
pretending to seek advice on how he may pursue a love - affair of his own ,
winkles out ...
Seite 231
It is now that the Duke steps forward to take control of the action , and that , at the
same time , the dominant mode of the play turns from verse to prose . The Duke is
an equivocal figure . At the opening he serves mainly as a plot device to set the ...
It is now that the Duke steps forward to take control of the action , and that , at the
same time , the dominant mode of the play turns from verse to prose . The Duke is
an equivocal figure . At the opening he serves mainly as a plot device to set the ...
Seite 233
Duke. makes. the. issue. absolutely. plain. : He dies for Claudio ' s death , and
waits for Isabella ' s response . The wait can be a long one : Peter Brook , in his
1950 Stratford production , had his Isabella , Barbara Jefford , sustain as long a ...
Duke. makes. the. issue. absolutely. plain. : He dies for Claudio ' s death , and
waits for Isabella ' s response . The wait can be a long one : Peter Brook , in his
1950 Stratford production , had his Isabella , Barbara Jefford , sustain as long a ...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |