Shakespeare: The Poet and His Plays |
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Seite 142
It may be thought to portray the Prince as a coldly calculating young man , willing
to have fun with his friends as long as it suits his purposes while being ready to
cast them off at the moment that suits him best : he is ' the sun ' , they ' the foul ...
It may be thought to portray the Prince as a coldly calculating young man , willing
to have fun with his friends as long as it suits his purposes while being ready to
cast them off at the moment that suits him best : he is ' the sun ' , they ' the foul ...
Seite 144
The earlier part of the scene is pure comedy as the Prince and Poins bring to
fruition their plot to expose Sir John ' s cowardice at Gadshill . The opportunism
which , for better and for worse , is one of the fat knight ' s most salient
characteristics ...
The earlier part of the scene is pure comedy as the Prince and Poins bring to
fruition their plot to expose Sir John ' s cowardice at Gadshill . The opportunism
which , for better and for worse , is one of the fat knight ' s most salient
characteristics ...
Seite 146
The Prince seems to have regressed from the reformed state in which we saw
him at the end of the previous play . Early on we see the Lord Chief Justice ' that
committed the Prince ( to prison ) for striking him about Bardolph ' in censorious ...
The Prince seems to have regressed from the reformed state in which we saw
him at the end of the previous play . Early on we see the Lord Chief Justice ' that
committed the Prince ( to prison ) for striking him about Bardolph ' in censorious ...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |