Shakespeare: The Poet and His Plays |
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Seite 28
This suggests that at times he relied heavily on his intimate knowledge of the
acting styles and stage personalities of ... fact that as he wrote he was clearly
concerned very largely with dialogue , with providing his actors with the words
that they ...
This suggests that at times he relied heavily on his intimate knowledge of the
acting styles and stage personalities of ... fact that as he wrote he was clearly
concerned very largely with dialogue , with providing his actors with the words
that they ...
Seite 159
Since then it has never been out of the repertory for long , and has provided a
star vehicle for many of the greatest actors not only in Britain but also on the
Continent , in the United States , and still further afield ; it has often been acted in
...
Since then it has never been out of the repertory for long , and has provided a
star vehicle for many of the greatest actors not only in Britain but also on the
Continent , in the United States , and still further afield ; it has often been acted in
...
Seite 377
... an unusual number of performers : the first requires ( as well as musicians who
may be off stage ) twenty - three actors ... in addition to the two Gentlemen who
comment on the procession as it passes over the stage ' , eighteen actors along ...
... an unusual number of performers : the first requires ( as well as musicians who
may be off stage ) twenty - three actors ... in addition to the two Gentlemen who
comment on the procession as it passes over the stage ' , eighteen actors along ...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |