Shakespeare: The Poet and His Plays |
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Seite 149
prate to me of the wildness of his youth and the feats he hath done about Turnbull
Street ; and every third word a lie . . . ' ( 3 . 2 . 298 ff . ) . A sense of the imminence
of death permeates these scenes , but the present continues to make its ...
prate to me of the wildness of his youth and the feats he hath done about Turnbull
Street ; and every third word a lie . . . ' ( 3 . 2 . 298 ff . ) . A sense of the imminence
of death permeates these scenes , but the present continues to make its ...
Seite 267
The attitude of mind displayed by Goneril and Regan after Lear has banished
Cordelia and Kent is eminently sensible : ņactor oz . duced GONERIL You see
how full of changes his age is . The observation we have made of it hath been
little .
The attitude of mind displayed by Goneril and Regan after Lear has banished
Cordelia and Kent is eminently sensible : ņactor oz . duced GONERIL You see
how full of changes his age is . The observation we have made of it hath been
little .
Seite 295
The multitudinous seas incarnadine , Making the green one red . ( 2 . 2 . 57 – 61 )
But his wife takes a more severely practical point of view : A little water clears us
of this deed . How easy is it then ! Your constancy Hath left you unattended . ( 2 .
The multitudinous seas incarnadine , Making the green one red . ( 2 . 2 . 57 – 61 )
But his wife takes a more severely practical point of view : A little water clears us
of this deed . How easy is it then ! Your constancy Hath left you unattended . ( 2 .
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |