Shakespeare: The Poet and His Plays |
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Seite 267
However distastefully to modern susceptibility , Shakespeare adopts the
convention by which the bastard , who lies outside the ties of family , is seen also
as being detached from the human race . The degree to which this is mere
convention ...
However distastefully to modern susceptibility , Shakespeare adopts the
convention by which the bastard , who lies outside the ties of family , is seen also
as being detached from the human race . The degree to which this is mere
convention ...
Seite 277
438 44 ) King Lear ' s reconciliation with Cordelia is also a reconciliation with
humanity ; the nearest that Timon comes to ... of compassion , love , and loyalty ,
and therefore that Timon is mistaken in his wholesale denunciations of the
human ...
438 44 ) King Lear ' s reconciliation with Cordelia is also a reconciliation with
humanity ; the nearest that Timon comes to ... of compassion , love , and loyalty ,
and therefore that Timon is mistaken in his wholesale denunciations of the
human ...
Seite 362
He has superhuman powers , yet remains human . He is both god and man , a
worker of miracles who finally accepts the full burden of humanity . He combines
the functions of such human figures as the Duke in Measure for Measure or even
a ...
He has superhuman powers , yet remains human . He is both god and man , a
worker of miracles who finally accepts the full burden of humanity . He combines
the functions of such human figures as the Duke in Measure for Measure or even
a ...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |