Shakespeare: The Poet and His Plays |
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Seite 94
145 ) , and the undignified squabbling between Eleanor and Margaret offers
characterful comedy : Queen Margaret lets fall her fan ( To the Duchess ) Give me
my fan - what , minion , can ye not ? She gives the Duchess a box on the ear I cry
...
145 ) , and the undignified squabbling between Eleanor and Margaret offers
characterful comedy : Queen Margaret lets fall her fan ( To the Duchess ) Give me
my fan - what , minion , can ye not ? She gives the Duchess a box on the ear I cry
...
Seite 166
They offer comedy of both character and situation . The ' merry war ' between
them is established in the opening scene : Beatrice piles comic insults on
Benedick both before she sees him and to his face , yet there is no mistaking her
interest in ...
They offer comedy of both character and situation . The ' merry war ' between
them is established in the opening scene : Beatrice piles comic insults on
Benedick both before she sees him and to his face , yet there is no mistaking her
interest in ...
Seite 239
And it provokes from the King one of the play ' s most thematically central
speeches , in which he offers an explicit consideration of the relationship
between worldly rank and innate virtue . A person may be of great rank yet no
virtue : Where ...
And it provokes from the King one of the play ' s most thematically central
speeches , in which he offers an explicit consideration of the relationship
between worldly rank and innate virtue . A person may be of great rank yet no
virtue : Where ...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |