Shakespeare: The Poet and His Plays |
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Seite 20
... an intense need to love and to be loved , a desire to idealize the beloved and
to abase himself in the process , immense susceptibility to emotional pain , a
demanding sexuality , a volatility of response that can veer rapidly from one
extreme ...
... an intense need to love and to be loved , a desire to idealize the beloved and
to abase himself in the process , immense susceptibility to emotional pain , a
demanding sexuality , a volatility of response that can veer rapidly from one
extreme ...
Seite 103
All this creates a tension between our aesthetic response to his cleverness and
our moral response to the uses to which he puts it . His physical deformity ,
however , serves as an ever - present reminder of his moral corruption , and ...
All this creates a tension between our aesthetic response to his cleverness and
our moral response to the uses to which he puts it . His physical deformity ,
however , serves as an ever - present reminder of his moral corruption , and ...
Seite 205
of response , a depth of feeling , a vibrancy of living , which mark him out from the
ordinary . He is a raw nerve in the court of Denmark , disconcertingly liable to
make the instinctive rather than the conditioned response . This cuts him off from
...
of response , a depth of feeling , a vibrancy of living , which mark him out from the
ordinary . He is a raw nerve in the court of Denmark , disconcertingly liable to
make the instinctive rather than the conditioned response . This cuts him off from
...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |