Shakespeare: The Poet and His Plays |
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Seite 161
392 – 7 ) The text give us no clue as to how Shylock might leave , and the scene
continues equably after he has gone with no suggestion that those remaining
have seen anything that might upset them . Yet many actors have chosen to give
...
392 – 7 ) The text give us no clue as to how Shylock might leave , and the scene
continues equably after he has gone with no suggestion that those remaining
have seen anything that might upset them . Yet many actors have chosen to give
...
Seite 326
During the course of the play we have seen a man who has commanded
admiration and love , hatred and contempt ; we have seen the attitudes of those
who come into contact with him reverse themselves ; we have been shown
something of ...
During the course of the play we have seen a man who has commanded
admiration and love , hatred and contempt ; we have seen the attitudes of those
who come into contact with him reverse themselves ; we have been shown
something of ...
Seite 380
The play has nevertheless an extensive stage history , but it has often been
severely shortened to emphasize its opportunities for spectacle and to increase
the importance of what are seen as the star roles , mainly Wolsey ( one of Irving '
s ...
The play has nevertheless an extensive stage history , but it has often been
severely shortened to emphasize its opportunities for spectacle and to increase
the importance of what are seen as the star roles , mainly Wolsey ( one of Irving '
s ...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |