Shakespeare: The Poet and His Plays |
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Seite 23
William Wordsworth , Thomas Hardy , T . S . Eliot – must make some use of
theatrical , or at least dramatic , conventions ; even those who are most deeply
imbued with theatrical values – Thomas Heywood , Colley Cibber , Dion
Boucicault ...
William Wordsworth , Thomas Hardy , T . S . Eliot – must make some use of
theatrical , or at least dramatic , conventions ; even those who are most deeply
imbued with theatrical values – Thomas Heywood , Colley Cibber , Dion
Boucicault ...
Seite 24
That theory presupposes that Shakespeare had already displayed some taste for
the theatre and , one would hope ... of his youth and early manhood , as well as
the first reference to him in print , is as a member of the London theatrical scene .
That theory presupposes that Shakespeare had already displayed some taste for
the theatre and , one would hope ... of his youth and early manhood , as well as
the first reference to him in print , is as a member of the London theatrical scene .
Seite 37
As joint General Editor of the Oxford Shakespeare I committed myself to the
theatrical Shakespeare ; the texts printed in that edition are , when choice exists ,
those that stand closer to the plays as acted than as conceived . It is a policy that
...
As joint General Editor of the Oxford Shakespeare I committed myself to the
theatrical Shakespeare ; the texts printed in that edition are , when choice exists ,
those that stand closer to the plays as acted than as conceived . It is a policy that
...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |