Shakespeare: The Poet and His Plays |
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Seite 23
Most of the biographical evidence suggests that Shakespeare thought of himself
professionally as a man of the theatre , that it was from the theatre that he drew
most of his considerable income , and that his professional colleagues came from
...
Most of the biographical evidence suggests that Shakespeare thought of himself
professionally as a man of the theatre , that it was from the theatre that he drew
most of his considerable income , and that his professional colleagues came from
...
Seite 145
We can hardly fail to enjoy his genius for self - preservation as he plays dead in
order to save his life in combat with the Douglas and ' riseth up ' in horror at the
thought that he may be ' disembowelled ' after hearing Harry speak his own ...
We can hardly fail to enjoy his genius for self - preservation as he plays dead in
order to save his life in combat with the Douglas and ' riseth up ' in horror at the
thought that he may be ' disembowelled ' after hearing Harry speak his own ...
Seite 245
Iago calls Othello a ' thick - lips ' , Brabanzio refers to his ' sooty bosom ' , and
Othello himself declares that his name ' is now begrimed and black as mine own
face ' . There can be no doubt that Shakespeare thought of him as thoroughly
black ...
Iago calls Othello a ' thick - lips ' , Brabanzio refers to his ' sooty bosom ' , and
Othello himself declares that his name ' is now begrimed and black as mine own
face ' . There can be no doubt that Shakespeare thought of him as thoroughly
black ...
Was andere dazu sagen - Rezension schreiben
Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Bibliografische Informationen
| Titel | Shakespeare: The Poet and His Plays |
| Autor/in | Stanley Wells |
| Ausgabe | überarbeitet |
| Verlag | Methuen, 1997 |
| Original von | University of California |
| Digitalisiert | 14. Mai 2008 |
| ISBN | 0413710009, 9780413710000 |
| Länge | 411 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |