Shakespeare: The Poet and His Plays |
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Seite 39
In writing about his plays it is convenient to group them according to their form or
subject - matter – comedies and tragedies , English histories and Roman
histories , ' problem ' plays and romances ( or ' late plays ' ) , and so on – and this
is ...
In writing about his plays it is convenient to group them according to their form or
subject - matter – comedies and tragedies , English histories and Roman
histories , ' problem ' plays and romances ( or ' late plays ' ) , and so on – and this
is ...
Seite 87
In an age of limited literacy the writing of plays about England ' s past would have
particular educational value ; they could teach as well as please . Also , like any
historical writing , they offered the opportunity for propaganda . Like many of ...
In an age of limited literacy the writing of plays about England ' s past would have
particular educational value ; they could teach as well as please . Also , like any
historical writing , they offered the opportunity for propaganda . Like many of ...
Seite 132
Again he was to write an interlinked series of four plays , and in this series it
seems to have been even more his ... This impression derives partly from the fact
that his style as both poet and dramatist developed greatly while he was writing
the ...
Again he was to write an interlinked series of four plays , and in this series it
seems to have been even more his ... This impression derives partly from the fact
that his style as both poet and dramatist developed greatly while he was writing
the ...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |