Shakespeare: The Poet and His Plays |
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Seite 31
Still , he wrote some works for publication in printed form and may well have
taken an active interest in the printing of some of these ; he did , it would seem ,
write verse from internal pressures , as a form of self - expression rather than
simply ...
Still , he wrote some works for publication in printed form and may well have
taken an active interest in the printing of some of these ; he did , it would seem ,
write verse from internal pressures , as a form of self - expression rather than
simply ...
Seite 34
We also have direct evidence , most obviously in Love ' s Labour ' s Lost , that he
sometimes revised as he wrote because he thought he could make literary rather
than theatrical improvements . There is also - and this is something that ...
We also have direct evidence , most obviously in Love ' s Labour ' s Lost , that he
sometimes revised as he wrote because he thought he could make literary rather
than theatrical improvements . There is also - and this is something that ...
Seite 264
In his Preface , first published in 1927 , he wrote critically of the scene found only
in the Quarto , regarding it as ' a carpentered scene if ever there was one ' , and
one that he could better believe that Shakespeare cut . . . than wrote ' . Granville ...
In his Preface , first published in 1927 , he wrote critically of the scene found only
in the Quarto , regarding it as ' a carpentered scene if ever there was one ' , and
one that he could better believe that Shakespeare cut . . . than wrote ' . Granville ...
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Shakespeare: a life in drama
Nutzerbericht - Not Available - Book VerdictWells, who is director of the Shakespeare Institute in England and general editor of the "Oxford Shakespeare," shares his wealth of knowledge and experience in this study, which will appeal to anyone ... Vollständige Rezension lesen
Inhalt
Man of the Theatre | 22 |
THREE Comedies of Verona Padua Ephesus | 39 |
SIXTEEN A Lost Play Based on Don Quixote One Last | 372 |
Urheberrecht | |
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action actors Antony appears audience believe body bring called cause characters claim close comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story style success suggest tale tells theatre theatrical thou thought tragedy true turns verse woman writing written wrote young
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Shakespeare on Management: Leadership Lessons for Today's Managers Paul Corrigan Keine Leseprobe verfügbar - 2000 |