An Essay on the Writings and Genius of Shakespeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireHarding, 1810 - 296 Seiten |
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Seite iii
... Henry IV . The Second Part of Henry IV . On the Præternatural Beings . The Tragedy of Macbeth . Upon the Cinna of Corneille . Page v . P. 3 . P. 33 . P. 69 . - P. 93 . P. 115 . P. 155 . - P. 187 . Upon the Death of Julius Cæsar . P. 223 ...
... Henry IV . The Second Part of Henry IV . On the Præternatural Beings . The Tragedy of Macbeth . Upon the Cinna of Corneille . Page v . P. 3 . P. 33 . P. 69 . - P. 93 . P. 115 . P. 155 . - P. 187 . Upon the Death of Julius Cæsar . P. 223 ...
Seite 38
... his best plays . But lest I should be misunderstood , I will cite one from the second part of Henry IV . where the general maxim is , that Sh . 1 An An habitation giddy and unsure Hath he that buildeth on 38 ON THE HISTORICAL DRAMA .
... his best plays . But lest I should be misunderstood , I will cite one from the second part of Henry IV . where the general maxim is , that Sh . 1 An An habitation giddy and unsure Hath he that buildeth on 38 ON THE HISTORICAL DRAMA .
Seite 49
... Henry VI . Act 3d , Scene 3d , GLOUCESTER , The midwife wonder'd , and the women cry'd , Oh Jesus bless us , he is born with teeth ! And so I was , which plainly signified That I should snarl , and bite , and play the dog : Then since ...
... Henry VI . Act 3d , Scene 3d , GLOUCESTER , The midwife wonder'd , and the women cry'd , Oh Jesus bless us , he is born with teeth ! And so I was , which plainly signified That I should snarl , and bite , and play the dog : Then since ...
Seite 65
... characters borrowed from so great a portrait - painter as Tacitus , let us now see what Shakspeare has done , from those awkward originals , our old chro- nicles . F THE THE FIRST PART OF HENRY IV . F 2 THE ON THE HISTORICAL DRAMA . 65.
... characters borrowed from so great a portrait - painter as Tacitus , let us now see what Shakspeare has done , from those awkward originals , our old chro- nicles . F THE THE FIRST PART OF HENRY IV . F 2 THE ON THE HISTORICAL DRAMA . 65.
Seite 67
Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de Voltaire Mrs. Montagu (Elizabeth). THE FIRST PART OF HENRY IV . F 2 THE FIRST PART OF HENRY IV . THE peculiar dexterity.
Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de Voltaire Mrs. Montagu (Elizabeth). THE FIRST PART OF HENRY IV . F 2 THE FIRST PART OF HENRY IV . THE peculiar dexterity.
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absurd action admired affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers