Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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Seite 113
... Ingram and Redpath also decline to emend line 7 , saying that the Quarto makes sense , “ and , according to whether the metaphor be ( 1 ) courtly , ( 2 ) heraldic , ( 3 ) theatrical , would mean ( 1 ) ' take precedence by virtue of qual ...
... Ingram and Redpath also decline to emend line 7 , saying that the Quarto makes sense , “ and , according to whether the metaphor be ( 1 ) courtly , ( 2 ) heraldic , ( 3 ) theatrical , would mean ( 1 ) ' take precedence by virtue of qual ...
Seite 131
... Ingram and Redpath paraphrase 44.9 : " I am reduced to despair by the thought that I have not the swift mobility of thought . " " I accept the comma after " attend " as an indication of a subtle metrical pause ( P. Simpson 1911 , 24-31 ) ...
... Ingram and Redpath paraphrase 44.9 : " I am reduced to despair by the thought that I have not the swift mobility of thought . " " I accept the comma after " attend " as an indication of a subtle metrical pause ( P. Simpson 1911 , 24-31 ) ...
Seite 253
... Ingram and Redpath comment that in line 3 " the Platonic ideas of Truth and Beauty are made to depend on the Friend , thus reversing the dependence of the temporal on the eternal . " Booth observes that “ sonnets 53 and 98 make the same ...
... Ingram and Redpath comment that in line 3 " the Platonic ideas of Truth and Beauty are made to depend on the Friend , thus reversing the dependence of the temporal on the eternal . " Booth observes that “ sonnets 53 and 98 make the same ...
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Shakespeare's Sonnets: With Three Hundred Years of Commentary William Shakespeare Eingeschränkte Leseprobe - 2007 |
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM