Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 Seiten This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
Im Buch
Ergebnisse 1-3 von 17
Seite 11
... CONVENTION ANYONE WHO HAS READ THE SONNET SEQUENCES OF SHAKESPEARE'S contemporaries will note that a great deal of material in Shakespeare's sequence is conventional , and it is important that The Sonnets be viewed in this perspective ...
... CONVENTION ANYONE WHO HAS READ THE SONNET SEQUENCES OF SHAKESPEARE'S contemporaries will note that a great deal of material in Shakespeare's sequence is conventional , and it is important that The Sonnets be viewed in this perspective ...
Seite 74
... convention to repu- diate this convention , and to represent it as something the poets ' sincerity rejected . ” Yet , the subtlety of this sonnet's tone is more important than the conventionality of its theme . We may read a “ gentle ...
... convention to repu- diate this convention , and to represent it as something the poets ' sincerity rejected . ” Yet , the subtlety of this sonnet's tone is more important than the conventionality of its theme . We may read a “ gentle ...
Seite 83
... convention demands that the poet's own eyes should be able to function as windows to his own heart just as well as the beloved's might ( compare Loves Labours Lost 5.2.826 [ TLN 2799 ] : “ Behold the window of my heart , mine eie ...
... convention demands that the poet's own eyes should be able to function as windows to his own heart just as well as the beloved's might ( compare Loves Labours Lost 5.2.826 [ TLN 2799 ] : “ Behold the window of my heart , mine eie ...
Andere Ausgaben - Alle anzeigen
Shakespeare's Sonnets: With Three Hundred Years of Commentary William Shakespeare Eingeschränkte Leseprobe - 2007 |
Häufige Begriffe und Wortgruppen
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM