Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
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Seite 172
... Duke Frederick's wrestler , Charles , to treat Orlando roughly when he takes up the challenge . And there is discord in higher places : Duke Frederick , before whom the wrestling will take place , has usurped power from his elder brother , ...
... Duke Frederick's wrestler , Charles , to treat Orlando roughly when he takes up the challenge . And there is discord in higher places : Duke Frederick , before whom the wrestling will take place , has usurped power from his elder brother , ...
Seite 231
... Duke steps forward to take control of the action , and that , at the same time , the dominant mode of the play turns from verse to prose . The Duke is an equivocal figure . At the opening he serves mainly as a plot device to set the ...
... Duke steps forward to take control of the action , and that , at the same time , the dominant mode of the play turns from verse to prose . The Duke is an equivocal figure . At the opening he serves mainly as a plot device to set the ...
Seite 233
... Duke maintains his show of unforgiveness , turning from Isabella to the Provost and calling for Barnardine to be brought before him . With him comes the muffled figure of Claudio , and only when Claudio is revealed to be alive does the Duke ...
... Duke maintains his show of unforgiveness , turning from Isabella to the Provost and calling for Barnardine to be brought before him . With him comes the muffled figure of Claudio , and only when Claudio is revealed to be alive does the Duke ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young