Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
Im Buch
Ergebnisse 1-3 von 28
Seite 144
... Prince and Poins bring to fruition their plot to expose Sir John's cowardice at Gadshill . The opportunism which , for better and for worse , is one of the fat knight's most salient characteristics is deployed in masterly fashion in his ...
... Prince and Poins bring to fruition their plot to expose Sir John's cowardice at Gadshill . The opportunism which , for better and for worse , is one of the fat knight's most salient characteristics is deployed in masterly fashion in his ...
Seite 146
... Prince [ to prison ] for striking him about Bardolph ' in censorious conversation with Falstaff , accusing him of having ' misled the youthful Prince ' - to which Falstaff again replies with the accusation that " The young Prince hath ...
... Prince [ to prison ] for striking him about Bardolph ' in censorious conversation with Falstaff , accusing him of having ' misled the youthful Prince ' - to which Falstaff again replies with the accusation that " The young Prince hath ...
Seite 149
... prince , the subjugation of natural humanity in the interests of decisive leadership , remains important . The most decisive and successful leader in this play , Prince John , is also its least attractive character . He achieves victory ...
... prince , the subjugation of natural humanity in the interests of decisive leadership , remains important . The most decisive and successful leader in this play , Prince John , is also its least attractive character . He achieves victory ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
Andere Ausgaben - Alle anzeigen
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action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young