Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
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Seite 34
... expression . We also have direct evidence , most obviously in Love's Labour's Lost , that he sometimes revised as he wrote because he thought he could make literary rather than theatrical improvements . There is also - and this is ...
... expression . We also have direct evidence , most obviously in Love's Labour's Lost , that he sometimes revised as he wrote because he thought he could make literary rather than theatrical improvements . There is also - and this is ...
Seite 136
... expression of his capacity to make the best of a bad job ( like Kent in King Lear ) , or with a vivid expression of personal hatred and defiance ( like Coriolanus ) , but with a meditation on the idea that in a foreign country his ...
... expression of his capacity to make the best of a bad job ( like Kent in King Lear ) , or with a vivid expression of personal hatred and defiance ( like Coriolanus ) , but with a meditation on the idea that in a foreign country his ...
Seite 211
... expression of the value of a single human life and of the anguish that a death can cause . Though Hamlet ends the scene in what may well seem like a state of exhaustion , within a few lines , in one of those swift reversals of emotional ...
... expression of the value of a single human life and of the anguish that a death can cause . Though Hamlet ends the scene in what may well seem like a state of exhaustion , within a few lines , in one of those swift reversals of emotional ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
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action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young