Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
Im Buch
Ergebnisse 1-3 von 68
Seite 37
... mind to a performance text is one of fulfilment rather than degeneration . In this chapter I have tried to present both sides of the coin : to suggest that there may well have existed a tension in Shakespeare's mind between theatrical ...
... mind to a performance text is one of fulfilment rather than degeneration . In this chapter I have tried to present both sides of the coin : to suggest that there may well have existed a tension in Shakespeare's mind between theatrical ...
Seite 50
... mind that makes the body rich , And as the sun breaks through the darkest clouds , So honour peereth in the meanest habit . ( 4.3.167-72 ) Or , as Shakespeare puts it in Sonnet 146 , ' Within be fed , without be rich no more ...
... mind that makes the body rich , And as the sun breaks through the darkest clouds , So honour peereth in the meanest habit . ( 4.3.167-72 ) Or , as Shakespeare puts it in Sonnet 146 , ' Within be fed , without be rich no more ...
Seite 51
... mind ' ? - it was , after all , women's minds that were proverbially as changeable as the moon . The next episode reveals Kate not merely concurring with her husband in patent absurdity but entering with full imaginative commitment into ...
... mind ' ? - it was , after all , women's minds that were proverbially as changeable as the moon . The next episode reveals Kate not merely concurring with her husband in patent absurdity but entering with full imaginative commitment into ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young