Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
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Seite 103
... moral response to the uses to which he puts it . His physical deformity , however , serves as an ever - present reminder of his moral corruption , and Shakespeare characterizes his evil through a continuing sequence of repellent animal ...
... moral response to the uses to which he puts it . His physical deformity , however , serves as an ever - present reminder of his moral corruption , and Shakespeare characterizes his evil through a continuing sequence of repellent animal ...
Seite 234
... moral conflicts are explored though not necessarily resolved . Rather than including debates within its structure , it is shot through with moral reflectiveness . There is a conscious intellectuality about this play which may help to ...
... moral conflicts are explored though not necessarily resolved . Rather than including debates within its structure , it is shot through with moral reflectiveness . There is a conscious intellectuality about this play which may help to ...
Seite 238
... moral guidance , a source of worry to his loving mother as well as to Helen . The play's older characters talk of him , as of Helen , in relation to his father ; noting a physical resemblance the King adds , ' Thy father's moral parts ...
... moral guidance , a source of worry to his loving mother as well as to Helen . The play's older characters talk of him , as of Helen , in relation to his father ; noting a physical resemblance the King adds , ' Thy father's moral parts ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
Andere Ausgaben - Alle anzeigen
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action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young