Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
Im Buch
Ergebnisse 1-3 von 29
Seite 20
... response that can veer rapidly from one extreme of emotion to its opposite , a belief in the power of the ... responses of its audiences ; the emotional turbulence is there in the frequent depiction of extreme states of mind , both comic ...
... response that can veer rapidly from one extreme of emotion to its opposite , a belief in the power of the ... responses of its audiences ; the emotional turbulence is there in the frequent depiction of extreme states of mind , both comic ...
Seite 103
... response to his cleverness and our moral response to the uses to which he puts it . His physical deformity , however , serves as an ever - present reminder of his moral corruption , and Shakespeare characterizes his evil through a ...
... response to his cleverness and our moral response to the uses to which he puts it . His physical deformity , however , serves as an ever - present reminder of his moral corruption , and Shakespeare characterizes his evil through a ...
Seite 205
... response . This cuts him off from those around him , but it puts him into peculiar contact with the audience . And as Hamlet is to the other figures of the play , so his soliloquies are to the role , for in them Shakespeare shows us the ...
... response . This cuts him off from those around him , but it puts him into peculiar contact with the audience . And as Hamlet is to the other figures of the play , so his soliloquies are to the role , for in them Shakespeare shows us the ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young