Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
Im Buch
Ergebnisse 1-3 von 36
Seite 76
... role of Titus in a performance of unremitting concentration and impassioned integrity , finding the shape of the role in a manner that defined the movement of the play , achieving ever - increasing intensity of suffering up to the ...
... role of Titus in a performance of unremitting concentration and impassioned integrity , finding the shape of the role in a manner that defined the movement of the play , achieving ever - increasing intensity of suffering up to the ...
Seite 101
... role can hardly fail to remember , for instance , Hazlitt's description of Edmund Kean in the death scene : ' He fought like one drunk with wounds : and the attitude in which he stands with his hands stretched out , after his sword is ...
... role can hardly fail to remember , for instance , Hazlitt's description of Edmund Kean in the death scene : ' He fought like one drunk with wounds : and the attitude in which he stands with his hands stretched out , after his sword is ...
Seite 160
... role are nicely balanced ; directors may sway the audience's responses one way or the other by production devices or even by making quite small cuts ; actors may emphasize either the comic or the sympathetic aspects of Shylock . A few ...
... role are nicely balanced ; directors may sway the audience's responses one way or the other by production devices or even by making quite small cuts ; actors may emphasize either the comic or the sympathetic aspects of Shylock . A few ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young