Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
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Seite 97
... sense of security . The amount of action that Shakespeare crams into this play might suggest that it is merely a chronicle of events , but in fact he has structured and patterned the happenings recorded in the chronicles , projecting ...
... sense of security . The amount of action that Shakespeare crams into this play might suggest that it is merely a chronicle of events , but in fact he has structured and patterned the happenings recorded in the chronicles , projecting ...
Seite 253
... sense of the extent to which human beings depend for their sense of identity on stability in the reactions of those around them . The effect of behaviour conceived of as uncharacteristic can be comic , tragic , or both . It causes ...
... sense of the extent to which human beings depend for their sense of identity on stability in the reactions of those around them . The effect of behaviour conceived of as uncharacteristic can be comic , tragic , or both . It causes ...
Seite 303
... sense of what he elsewhere calls ' all the world's vastidity ' ( Measure for Measure , 3.1.67 ) . It is a long play , but not his longest : shorter by over 200 lines than Coriolanus , for instance , which nevertheless does not give the ...
... sense of what he elsewhere calls ' all the world's vastidity ' ( Measure for Measure , 3.1.67 ) . It is a long play , but not his longest : shorter by over 200 lines than Coriolanus , for instance , which nevertheless does not give the ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
Andere Ausgaben - Alle anzeigen
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action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young