Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
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Seite 381
... style ; some of it is highly technical , some more impressionistic : as Gary Taylor writes , ' The scenes assignable to Shakespeare display consistently the kinds of grammatical muscularity characteristic of his late style . . . those ...
... style ; some of it is highly technical , some more impressionistic : as Gary Taylor writes , ' The scenes assignable to Shakespeare display consistently the kinds of grammatical muscularity characteristic of his late style . . . those ...
Seite 384
... style , making no concessions to either the speaker or the hearer ; and the bizarre image used to convey the brevity of the time that Hippolyta should kneel - ' no longer time | Than a dove's motion when the head's plucked off ” – has a ...
... style , making no concessions to either the speaker or the hearer ; and the bizarre image used to convey the brevity of the time that Hippolyta should kneel - ' no longer time | Than a dove's motion when the head's plucked off ” – has a ...
Seite 400
... style , 128 ; Chorus in , 152 , 331-3 , 336 , 338 ; date , 328–9 ; text and versions , 330 ; themes and action , 330-8 ; excluded from First Folio , 331 , 373 ; WS works with collaborator on , 331 ; reunion and resurrection in , 335-7 ...
... style , 128 ; Chorus in , 152 , 331-3 , 336 , 338 ; date , 328–9 ; text and versions , 330 ; themes and action , 330-8 ; excluded from First Folio , 331 , 373 ; WS works with collaborator on , 331 ; reunion and resurrection in , 335-7 ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
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action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young