Shakespeare: A Dramatic LifeSinclair-Stevenson, 1994 - 403 Seiten |
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Seite 23
... theatrical , or at least dramatic , conventions ; even those who are most deeply imbued with theatrical values - Thomas Heywood , Colley Cibber , Dion Boucicault , Noël Coward , Alan Ayckbourn - depend in part on the exercise of ...
... theatrical , or at least dramatic , conventions ; even those who are most deeply imbued with theatrical values - Thomas Heywood , Colley Cibber , Dion Boucicault , Noël Coward , Alan Ayckbourn - depend in part on the exercise of ...
Seite 34
... theatrical effect and the urge towards literary self - expression . We also have direct evidence , most obviously in Love's Labour's Lost , that he sometimes revised as he wrote because he thought he could make literary rather than ...
... theatrical effect and the urge towards literary self - expression . We also have direct evidence , most obviously in Love's Labour's Lost , that he sometimes revised as he wrote because he thought he could make literary rather than ...
Seite 37
... theatrical and literary values . It was a fruitful tension : the theatrical Shakespeare was dependent on the literary , and vice versa . Shakespeare was above all a man of the theatre , but theatre has never been as receptive of great ...
... theatrical and literary values . It was a fruitful tension : the theatrical Shakespeare was dependent on the literary , and vice versa . Shakespeare was above all a man of the theatre , but theatre has never been as receptive of great ...
Inhalt
EIGHT Comedies of Venice Messina France Illyria | 158 |
SIXTEEN A Lost Play Based on Don Quixote One Last English | 372 |
Index | 393 |
Urheberrecht | |
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action actors Antony appears audience becomes believe body bring called cause characters claim closing comedy comes comic create criticism daughter dead death direct Duke early edition effect Elizabethan emotional English episode expression eyes fact father fear feel figure final followed friends give Hamlet hand hath hear Henry human imagination John killed King language later Lear least less lines live look Lord lovers Macbeth means mind moral murder nature offers opening Othello passages performance perhaps play play's poem present Prince printed production Queen reason relationship response Richard role says scene seems seen sense Shakespeare shows soliloquy sonnets speaks speech stage story success suggest tale tells theatre theatrical thing thou thought tragedy true turns woman writing written wrote young