The TempestDigiCat, 28.05.2022 - 224 Seiten William Shakespeare's 'The Tempest' is a classic play that explores themes of power, betrayal, and forgiveness. Written in the early 17th century, the play is considered one of Shakespeare's final works and showcases his mastery of language and character development. The story follows Prospero, the rightful Duke of Milan, who uses his magical powers to create a tempest that strands his enemies on an island, where he seeks revenge and ultimately learns the power of forgiveness. The play is filled with vivid imagery, complex characters, and thought-provoking themes that continue to resonate with audiences today. William Shakespeare, often regarded as the greatest playwright in the English language, drew inspiration from various historical events and literary sources to create 'The Tempest'. His deep understanding of human nature and ability to craft compelling narratives have solidified his reputation as a literary giant. Shakespeare's vast body of work continues to be studied and performed around the world, reflecting his enduring influence on literature and culture. I highly recommend 'The Tempest' to readers interested in exploring timeless themes through captivating storytelling. Shakespeare's profound insights into human emotions and relationships make this play a must-read for anyone seeking to delve into the intricacies of the human experience. |
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... tell your piteous heart There's no harm done . MIRANDA . O , woe the day ! PROSPERO . No harm . I have done nothing but in care of thee , Of thee , my dear one , thee , my daughter , who Art ignorant of what thou art , nought knowing Of ...
... tell your piteous heart There's no harm done . MIRANDA . O , woe the day ! PROSPERO . No harm . I have done nothing but in care of thee , Of thee , my dear one , thee , my daughter , who Art ignorant of what thou art , nought knowing Of ...
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... tell me what I am, but stopp'd, And left me to a bootless inquisition, Concluding “Stay; not yet.” PROSPERO. The hour's now come, The very minute bids thee ope thine ear; Obey, and be attentive. Canst thou remember A time before we came ...
... tell me what I am, but stopp'd, And left me to a bootless inquisition, Concluding “Stay; not yet.” PROSPERO. The hour's now come, The very minute bids thee ope thine ear; Obey, and be attentive. Canst thou remember A time before we came ...
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... telling of it, Made such a sinner of his memory, To credit his own lie, he did believe He was indeed the Duke; out o' the substitution, And ... tell me If this might be a brother. MIRANDA. I should sin To think but nobly of my.
... telling of it, Made such a sinner of his memory, To credit his own lie, he did believe He was indeed the Duke; out o' the substitution, And ... tell me If this might be a brother. MIRANDA. I should sin To think but nobly of my.
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ADRIAN ALONSO Austen's awake beat BOATSWAIN bottle brave brother cam'st Carthage cell CERES charm Contents SCENE daughter dear devil DigiCat doth drink drown drown'd Duke of Milan dukedom e'er EDITH WHARTON Enter ARIEL Enter CALIBAN Exeunt Exit ARIEL eyes father fish foul garments give GONZALO grace Hark Hast thou hath hear heavens Henry IV hither honour island isle JANE AUSTEN JUNO King of Naples King's ship lord lov'd LUIGI PIRANDELLO marriage master monster noble nymphs play pray presented by Spirits prithee PROSPERO Prospero's cell Queen Re-enter ARIEL remember scurvy SEBASTIAN and ANTONIO Setebos sing slave sleep speak STEPHANO and TRINCULO strange swear sweet Sycorax Table of Contents tell There's thine thou art thou beest thou canst thou didst thou dost thou hast Thou liest Thou shalt thyself torment Tunis Wharton widow Dido WILLIAM SHAKESPEARE yare