Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001University of Delaware Press, 2004 - 468 Seiten Shakespeare's career-long fascination with the Mediterranean made the association a natural one for this first World Shakespeare Congress of the Third Millennium. The plenary lectures and selected papers in this volume represent some of the best contemporary thought and writing on Shakespeare, in the ranging plenary lectures by Jonathan Bate on Shakespeare's islands and the Muslim connection, Michael Coveney's on the late Sir John Gielgud, Robert Ellrodt's on Shakespeare's sonnets and Montaigne's essays, Stephen Orgel's on Shakespeare's own Shylock, and Marina Warner's on Shakespeare's fairy-tale uses of magic. Also included in the volume's several sections are original pagers selected from special sessions and seminars by other distinguished writers, including Jean E. Howard, Gary Taylor, and Richard Wilson. Tom Clayton is Regents' Professor of English Language and Literature and chair of the Classical Civilization Program at the University of Minnesota. Susan Brock is Head of Library and Information Resources at the Shakespeare Birthplace Trust in Stratford-upon-Avon and Honorary Fellow of the Shakespeare Institute of the University of Birmingham. Vicente Fores is Associate Profe |
Inhalt
Foreword | 13 |
Tradition Magic and Continuity in the Modern | 21 |
Shylocks Tribe | 38 |
Urheberrecht | |
26 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Shakespeare and the Mediterranean: The Selected Proceedings of the ... International Shakespeare Association. World Congress Eingeschränkte Leseprobe - 2004 |
Shakespeare and the Mediterranean: The Selected Proceedings of the ... Susan Brock,Vicente Forés,Tom Clayton Keine Leseprobe verfügbar - 2004 |
Häufige Begriffe und Wortgruppen
actors appears associations audience authority become called Cambridge century characters Christian comedy course court critics cultural death drama Dream Duke early edition effect Elizabethan England English Essays example fact figure final followed Gielgud gives Hamlet hand Henry human Illyria imagination Italian Italy John kind King language later lines living London look master means Measure Mediterranean memory Montaigne nature never Night Notes opening original Othello Oxford particular performance play present production references Renaissance rhetoric Richard Robert role Roman says scene seems sense servant Shakespeare shows Shylock social space Spanish speak speech stage story suggests theater things Thomas thou thought tion translation true Turk turn University Press Venice wall writing York