Shakespeare, Reception and Translation: Germany and JapanBloomsbury Academic, 2004 - 253 Seiten This book provides a comparative analysis of Shakespeare's reception and translation in Japan and Germany. It explicitly compares and contrasts the two, including consideration of their mutual awareness but also covers issues relating to the international reception and translation of the entire Shakespeare canon. It includes study of a number of translators from each country from the 18th century to translators working today, including Odashima Yushi. Examples are drawn from all parts of Shakespeare's canon, with most extensive discussion on The Tempest. |
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Seite 81
... Caliban , albeit for quite different reasons . Caliban was singled out as an example of Shakespeare's superior powers of autonomous invention . John Dryden who , as we have seen , had rewritten the whole play , commented in 1679 ...
... Caliban , albeit for quite different reasons . Caliban was singled out as an example of Shakespeare's superior powers of autonomous invention . John Dryden who , as we have seen , had rewritten the whole play , commented in 1679 ...
Seite 203
... Caliban and Prospero is full of minute details , as they describe the objects that can be found on the island , the concrete things Caliban taught to and learned from Prospero , and the various ailments and illnesses they wish upon each ...
... Caliban and Prospero is full of minute details , as they describe the objects that can be found on the island , the concrete things Caliban taught to and learned from Prospero , and the various ailments and illnesses they wish upon each ...
Seite 204
... Caliban is addressing both Prospero and Miranda in his speeches . Caliban clearly curses both Prospero and Miranda when he says : ' As wicked dew , as e'er my mother brush'd / With raven's feather from unwhole- some fern / Drop on you ...
... Caliban is addressing both Prospero and Miranda in his speeches . Caliban clearly curses both Prospero and Miranda when he says : ' As wicked dew , as e'er my mother brush'd / With raven's feather from unwhole- some fern / Drop on you ...
Inhalt
2 | 22 |
Shakespeare Reception and Translation in Germany and Japan | 49 |
4 | 71 |
Urheberrecht | |
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Shakespeare, Reception and Translation: Germany and Japan Friederike Von Schwerin-High Keine Leseprobe verfügbar - 2004 |
Shakespeare, Reception and Translation: Germany and Japan Friedrike Von Schwerin-High Keine Leseprobe verfügbar - 2004 |
Häufige Begriffe und Wortgruppen
allegories Antonio archaic argue Ariel Ariel's song aspects audience August Wilhelm Schlegel become Bunraku Caliban Chapter characters Christoph Martin Wieland contemporary context criticism culture described dramatic English Erich Fried essay example father Ferdinand Flatter Fried Friedrich Schlegel Fukuda Tsuneari furigana German Shakespeare German stage German translators Goethe Gonzalo Günther Hamlet instances Japan Japanese translators Johann Heinrich Voß kanji keywords language lation Lefevere lines linguistic literature lyrical magic meaning metaphor metre Midsummer Night's Dream Miranda modern moreover norms Odashima particular passage performance poetic poetry political pronounced prose Prospero published rendered rendition rewriting rhyme Rothe Rothe's scene Schaller Schlegel Schlegel-Tieck Schlegel's translation Sebastian secret studies sentence Shake Shakespeare translations Shakespearean plays Shakespearean texts Shakespearean translations shipwreck Shôyô speare's speech strange style supernatural Tempest theatre theatrical thou Tieck Toyoda traditional trans translator's Tsubouchi Shôyô verb verse Voẞ's Wieland Wieland's translation word writes