Shakespeare, Reception and Translation: Germany and JapanBloomsbury Academic, 2004 - 253 Seiten This book provides a comparative analysis of Shakespeare's reception and translation in Japan and Germany. It explicitly compares and contrasts the two, including consideration of their mutual awareness but also covers issues relating to the international reception and translation of the entire Shakespeare canon. It includes study of a number of translators from each country from the 18th century to translators working today, including Odashima Yushi. Examples are drawn from all parts of Shakespeare's canon, with most extensive discussion on The Tempest. |
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Seite 98
... argue , likewise , that much of the richness of the original text – its literariness , its elocutionary power , its ... argues somewhat similarly that The Tempest is such a ' consistently overrated play ' ( 1988 : 61 ) simply because it ...
... argue , likewise , that much of the richness of the original text – its literariness , its elocutionary power , its ... argues somewhat similarly that The Tempest is such a ' consistently overrated play ' ( 1988 : 61 ) simply because it ...
Seite 148
... argues , the intuitive synthesis of the Romantics could of necessity not have been as satisfactory as that of a modern ... argue that because the blank verse covers a middle ground between the prosaic and the lyrical , the appropriate ...
... argues , the intuitive synthesis of the Romantics could of necessity not have been as satisfactory as that of a modern ... argue that because the blank verse covers a middle ground between the prosaic and the lyrical , the appropriate ...
Seite 155
... argue , that Shôyô , by providing his readers with furigana for almost every kanji in his text , makes his text easier to read and therefore easier to speak and to perform.25 Thus , paradoxically , the provided furigana make the text ...
... argue , that Shôyô , by providing his readers with furigana for almost every kanji in his text , makes his text easier to read and therefore easier to speak and to perform.25 Thus , paradoxically , the provided furigana make the text ...
Inhalt
2 | 22 |
Shakespeare Reception and Translation in Germany and Japan | 49 |
4 | 71 |
Urheberrecht | |
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Shakespeare, Reception and Translation: Germany and Japan Friederike Von Schwerin-High Keine Leseprobe verfügbar - 2004 |
Shakespeare, Reception and Translation: Germany and Japan Friedrike Von Schwerin-High Keine Leseprobe verfügbar - 2004 |
Häufige Begriffe und Wortgruppen
allegories Antonio archaic argue Ariel Ariel's song aspects audience August Wilhelm Schlegel become Bunraku Caliban Chapter characters Christoph Martin Wieland contemporary context criticism culture described dramatic English Erich Fried essay example father Ferdinand Flatter Fried Friedrich Schlegel Fukuda Tsuneari furigana German Shakespeare German stage German translators Goethe Gonzalo Günther Hamlet instances Japan Japanese translators Johann Heinrich Voß kanji keywords language lation Lefevere lines linguistic literature lyrical magic meaning metaphor metre Midsummer Night's Dream Miranda modern moreover norms Odashima particular passage performance poetic poetry political pronounced prose Prospero published rendered rendition rewriting rhyme Rothe Rothe's scene Schaller Schlegel Schlegel-Tieck Schlegel's translation Sebastian secret studies sentence Shake Shakespeare translations Shakespearean plays Shakespearean texts Shakespearean translations shipwreck Shôyô speare's speech strange style supernatural Tempest theatre theatrical thou Tieck Toyoda traditional trans translator's Tsubouchi Shôyô verb verse Voẞ's Wieland Wieland's translation word writes