Shakespeare, Reception and Translation: Germany and JapanBloomsbury Academic, 2004 - 253 Seiten This book provides a comparative analysis of Shakespeare's reception and translation in Japan and Germany. It explicitly compares and contrasts the two, including consideration of their mutual awareness but also covers issues relating to the international reception and translation of the entire Shakespeare canon. It includes study of a number of translators from each country from the 18th century to translators working today, including Odashima Yushi. Examples are drawn from all parts of Shakespeare's canon, with most extensive discussion on The Tempest. |
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Seite 147
... speech ' which appears in the fourth Act in the original and which is arguably similar in tone and spirit to the epilogue that concludes Act 5 and the play . In typically speculative fashion , Rothe says about the ' revels speech ...
... speech ' which appears in the fourth Act in the original and which is arguably similar in tone and spirit to the epilogue that concludes Act 5 and the play . In typically speculative fashion , Rothe says about the ' revels speech ...
Seite 202
... speech may be coming from Ferdinand's imagination . It is , moreover , just speech because the terrifying and soothing images of the father's body's decay and transformation conjured up in the song do not correspond to anything that ...
... speech may be coming from Ferdinand's imagination . It is , moreover , just speech because the terrifying and soothing images of the father's body's decay and transformation conjured up in the song do not correspond to anything that ...
Seite 203
... speech ( 353-65 ) to either Prospero or Miranda . Most older editors and all but two of the translations here give this speech to Prospero . ( Toyoda , Schaller and Günther are the only translators who give this speech to Miranda ...
... speech ( 353-65 ) to either Prospero or Miranda . Most older editors and all but two of the translations here give this speech to Prospero . ( Toyoda , Schaller and Günther are the only translators who give this speech to Miranda ...
Inhalt
2 | 22 |
Shakespeare Reception and Translation in Germany and Japan | 49 |
4 | 71 |
Urheberrecht | |
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Shakespeare, Reception and Translation: Germany and Japan Friederike Von Schwerin-High Keine Leseprobe verfügbar - 2004 |
Shakespeare, Reception and Translation: Germany and Japan Friedrike Von Schwerin-High Keine Leseprobe verfügbar - 2004 |
Häufige Begriffe und Wortgruppen
allegories Antonio archaic argue Ariel Ariel's song aspects audience August Wilhelm Schlegel become Bunraku Caliban Chapter characters Christoph Martin Wieland contemporary context criticism culture described dramatic English Erich Fried essay example father Ferdinand Flatter Fried Friedrich Schlegel Fukuda Tsuneari furigana German Shakespeare German stage German translators Goethe Gonzalo Günther Hamlet instances Japan Japanese translators Johann Heinrich Voß kanji keywords language lation Lefevere lines linguistic literature lyrical magic meaning metaphor metre Midsummer Night's Dream Miranda modern moreover norms Odashima particular passage performance poetic poetry political pronounced prose Prospero published rendered rendition rewriting rhyme Rothe Rothe's scene Schaller Schlegel Schlegel-Tieck Schlegel's translation Sebastian secret studies sentence Shake Shakespeare translations Shakespearean plays Shakespearean texts Shakespearean translations shipwreck Shôyô speare's speech strange style supernatural Tempest theatre theatrical thou Tieck Toyoda traditional trans translator's Tsubouchi Shôyô verb verse Voẞ's Wieland Wieland's translation word writes