The Play of Paradox: Stage and Sermon in Renaissance EnglandUniversity of Pennsylvania Press, 1995 - 213 Seiten The Play of Paradox: Stage and Sermon in Renaissance England is a wide-ranging investigation of Tudor/Stuart drama, Reformation preaching, and the relations between the two. The cross-fertilization between the two kinds of performance engendered among audiences a ready receptivity to the rhetorical use of paradox. The two modes similarly capitalized on characteristic Renaissance syntheses of magic, drama, and religion to develop strategies for negotiating state control. In chapters that set comedies and tragedies by Shakespeare, Jonson, Webster, and others side by side with sermons by Hooker, Andrewes, Donne, and popular preachers whose works have not been reprinted since the early seventeenth century, Bryan Crockett argues that stage and pulpit performances elicited similar responses to the political and theological divisions marked by the incessant polemics of the age. |
Im Buch
Ergebnisse 1-3 von 19
Seite 136
... Duchess trusts in a God who has given her no reason to trust . She realizes both her utter de- pendence on the ... Malfi is not even the focal character in The Duchess of Malfi . After all , the play goes on for a whole act after her ...
... Duchess trusts in a God who has given her no reason to trust . She realizes both her utter de- pendence on the ... Malfi is not even the focal character in The Duchess of Malfi . After all , the play goes on for a whole act after her ...
Seite 182
... Duchess's virtue in terms of " integrity of life " rather than specifically Christian sanctity , he clearly feels that the moral order the Duchess represents is vindicated by the play , “ Merit and Degree in Webster's The Duchess of Malfi ...
... Duchess's virtue in terms of " integrity of life " rather than specifically Christian sanctity , he clearly feels that the moral order the Duchess represents is vindicated by the play , “ Merit and Degree in Webster's The Duchess of Malfi ...
Seite 183
... Duchess's final word , " Mercy " ( spoken on hearing that her husband and ... Malfi , " Notes and Queries 195 ( 1950 ) : 231–33 . 18. She does , after all ... Duchess's death in the cul- tural context of the ars moriendi tradition ...
... Duchess's final word , " Mercy " ( spoken on hearing that her husband and ... Malfi , " Notes and Queries 195 ( 1950 ) : 231–33 . 18. She does , after all ... Duchess's death in the cul- tural context of the ars moriendi tradition ...
Inhalt
The Pulpit Performance and the TwoEdged Sword | 31 |
Holy Cozenage and the Renaissance Cult of the Ear | 50 |
Satire and Social Structure | 73 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Play of Paradox: Stage and Sermon in Renaissance England Bryan Crockett Eingeschränkte Leseprobe - 2016 |
Häufige Begriffe und Wortgruppen
accept According action argued Atheos audience believers body calls Calvin Cambridge central century chapter character Christ Christian church claim comedy course cultural death discourse divine doctrine Donne Donne's doubt drama Duchess of Malfi early effect elect Elizabethan England English example experience fact faith Field force God's godly hand hath hear holy human idea ideological insistence interpretive John Jonson judge judgment late live London matter means Measure mercy metaphysical moral Oxford paradigm paradox Paul Paul's Cross performance play playwrights polemic preacher preaching present Protestant pulpit Puritan question Reformation religious Renaissance response rhetoric Richard Robert salvation satire says seems sense sermon Shakespeare similar simultaneously sixteenth social sort soul speak spirit stage Studies Tale theater theological things Thomas thou thought tion Tragedy University Press voice vols Webster's whole Winter's York Zelotes