The Play of Paradox: Stage and Sermon in Renaissance EnglandUniversity of Pennsylvania Press, 1995 - 213 Seiten The Play of Paradox: Stage and Sermon in Renaissance England is a wide-ranging investigation of Tudor/Stuart drama, Reformation preaching, and the relations between the two. The cross-fertilization between the two kinds of performance engendered among audiences a ready receptivity to the rhetorical use of paradox. The two modes similarly capitalized on characteristic Renaissance syntheses of magic, drama, and religion to develop strategies for negotiating state control. In chapters that set comedies and tragedies by Shakespeare, Jonson, Webster, and others side by side with sermons by Hooker, Andrewes, Donne, and popular preachers whose works have not been reprinted since the early seventeenth century, Bryan Crockett argues that stage and pulpit performances elicited similar responses to the political and theological divisions marked by the incessant polemics of the age. |
Im Buch
Ergebnisse 1-3 von 23
Seite 58
... means life ; weakness means strength ; judgment means mercy . The invocation of such paradoxes , drawing attention as they do to the unfathomable paradox of the death of the eternal God in human form , has the potential to arrest ...
... means life ; weakness means strength ; judgment means mercy . The invocation of such paradoxes , drawing attention as they do to the unfathomable paradox of the death of the eternal God in human form , has the potential to arrest ...
Seite 97
... means fairness - a lack of judicial corruption - and so it means mercy for any innocent party involved in a legal dispute . The New Testament at times appropriates this usage , as when Jesus says , " Woe be to you , Scribes and ...
... means fairness - a lack of judicial corruption - and so it means mercy for any innocent party involved in a legal dispute . The New Testament at times appropriates this usage , as when Jesus says , " Woe be to you , Scribes and ...
Seite 158
... means to live in a world in which Desdemona is dead and Iago is alive . One thing this means is that in simply human terms , there can never be too much compassion . But it also means that simply human responses are utterly inadequate ...
... means to live in a world in which Desdemona is dead and Iago is alive . One thing this means is that in simply human terms , there can never be too much compassion . But it also means that simply human responses are utterly inadequate ...
Inhalt
The Pulpit Performance and the TwoEdged Sword | 31 |
Holy Cozenage and the Renaissance Cult of the Ear | 50 |
Satire and Social Structure | 73 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Play of Paradox: Stage and Sermon in Renaissance England Bryan Crockett Eingeschränkte Leseprobe - 2016 |
Häufige Begriffe und Wortgruppen
accept According action argued Atheos audience believers body calls Calvin Cambridge central century chapter character Christ Christian church claim comedy course cultural death discourse divine doctrine Donne Donne's doubt drama Duchess of Malfi early effect elect Elizabethan England English example experience fact faith Field force God's godly hand hath hear holy human idea ideological insistence interpretive John Jonson judge judgment late live London matter means Measure mercy metaphysical moral Oxford paradigm paradox Paul Paul's Cross performance play playwrights polemic preacher preaching present Protestant pulpit Puritan question Reformation religious Renaissance response rhetoric Richard Robert salvation satire says seems sense sermon Shakespeare similar simultaneously sixteenth social sort soul speak spirit stage Studies Tale theater theological things Thomas thou thought tion Tragedy University Press voice vols Webster's whole Winter's York Zelotes