Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 108
... situation is a psychic one , not a sociological experiment . What Achternbusch seems in each case to be working towards is the incontrovertibility and closure of the double - bind , where the judgement of the self from the point of view ...
... situation is a psychic one , not a sociological experiment . What Achternbusch seems in each case to be working towards is the incontrovertibility and closure of the double - bind , where the judgement of the self from the point of view ...
Seite 113
... situation which echoes through the film , and is not confined to the⚫ couple Robert and Maria : an American psychoanalyst questions a Vietcong prisoner about his family background , a North Vietna- mese man is talking to a South ...
... situation which echoes through the film , and is not confined to the⚫ couple Robert and Maria : an American psychoanalyst questions a Vietcong prisoner about his family background , a North Vietna- mese man is talking to a South ...
Seite 66
... situation which is black and white in many ways : class differences are huge , exploitative hier- archy rampant , discrepancies enormous . So I can see why some- body would choose to show a situation without any grey areas . I respect ...
... situation which is black and white in many ways : class differences are huge , exploitative hier- archy rampant , discrepancies enormous . So I can see why some- body would choose to show a situation without any grey areas . I respect ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York