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rains have just broken. go?"

Whither shall I time in his life laid a hand upon his master's shoulder, saying: "Eat, sahib, eat. Meat is good against sorrow. I also have known. Moreover the shadows come and go, sahib; the shadows come and go. These be curried eggs.

"What is that to me? My order is that there is a going. The house-gear is worth a thousand rupees and my orderly shall bring thee a hundred rupees tonight."

"That is very little. Think of the cart-hire."

"It shall be nothing unless thou goest, and with speed. O woman, get hence and leave me to my dead!"

The mother shuffled down the staircase, and in her anxiety to take stock of the house-fittings forgot to mourn. Holden stayed by Ameera's side and the rain roared on the roof. He could not think connectedly by reason of the noise, though he made many attempts to do so. Then four sheeted ghosts glided dripping into the room and stared at him through their veils. They were the washers of the dead. Holden left the room and went out to his horse. He had come in a dead, stifling calm through ankle-deep dust. He found the court yard a rain-lashed pond alive with frogs; a torrent of yellow water ran under the gate, and a roaring wind drove the bolts of the rain like buckshot against the mud walls. Pir Khan was shivering in his little hut by the gate, and the horse was stamping uneasily in the water.

"I have been told the sahib's order," said Pir Khan. "It is well. This house is now desolate. I go also, for my monkey-face would be a reminder of that which has been. Concerning the bed, I will bring that to thy house yonder in the morning; but remember, sahib, it will be to thee a knife turned in a green wound. go upon a pilgrimage, and I will take no money. I have grown fat in the protection of the Presence whose sorrow is my sorrow. For the last time I hold his stirrup.'

I

He touched Holden's foot with both hands and the horse sprang out into the road, where the creaking bamboos were whipping the sky and all the frogs were chuckling. Holden could not see for the rain in his face. He put his hands before his eyes and muttered,

"Oh you brute ! You utter brute !" The news of his trouble was already in his bungalow. He read the knowledge in his butler's eyes when Ahmed Khan brought in food, and for the first and last NEW SERIES.-VOL. LII., No. 2.

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Holden could neither eat nor sleep. The beavens sent down eight inches of rain in that night and washed the earth clean. The waters tore down walls, broke roads, and scoured open the shallow graves on the Mahomedan burying ground. All next day it rained, and Holden sat still in his house considering his sorrow. On the morning of the third day he received a telegram which said only: "Rickells, Myndonie. Dying. Holden relieve. Immediate." Then he thought that before he departed he would look at the house wherein he had been master and lord. There was a break in the weather, and the rank earth steamed with vapor.

He found that the rains had torn down the mud pillars of the gateway, and the heavy wooden gate that had guarded his life hung lazily from one hinge. There was grass three inches high in the courtyard; Pir Khan's lodge was empty, and the sodden thatch sagged between the beams. A gray squirrel was in possession of the veranda, as if the house had been untenanted for thirty years instead of three days. Ameera's mother had removed everything except some mildewed matting. The tick-tick of the little scorpions as they hurried across the floor was the only sound in the house. Ameera's room and the other one where Tota had lived were heavy with mildew; and the narrow staircase leading to the roof was streaked and stained with rain-borne mud. Holden saw all these things, and came out again to meet in the road Durga Dass, his landlord-portly, affable, clothed in white muslin, and driving a C-spring buggy. He was overlooking his property to see how the roofs stood the stress of the first rains.

"I have heard," said he, "you will not take this place any more, sahib?” "What are you going to do with it?'' Perhaps I shall let it again. "Then I will keep it on while I am away.

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Durga Dass was silent for some time. "You shall not take it on, sahib," he said. "When I was a young man I also but to-day I am a member of the

Municipality. Ho! Ho! No. When the birds have gone what need to keep the nest? I will have it pulled down-the timber will sell for something always. It shall be pulled down, and the Municipal

ity shall make a road across, as they desire, from the burning ghaut to the city wall, so that no man may say where this house stood."—Macmillan's Magazine.

A VISION OF SOUND.

BY M. FRERE.

RUSH of waves! where waters meet:
Roll of wheels along the street !
Clatt'ring hoofs that nearer come,
Barking dogs that guard their home!
Wide-stretch'd wings that cleave the sky-
As the cawing rooks home fly!
Music (when the monarch-mine
Doth his world, as subjects, bind !)
Whether great Beethoven thunder!
Or 'tis Bach who rends asunder
Veil that shelters the Unseen!
Or Chopin's airy waltzes queen
Far heights of fancy! or a Glee
Win a hearing presently!

Or sonorous organ rise

"" three"!

To wondrous flute-like harmonies !
Laughter crying! creaking door-
Fall of flail on threshing floor-
Whistling engine! thunder hoarse!
Winds to try the fir-trees' force !
Buzzing gnat, or drowsy bee!
Drip of rain-drops-" one," "two,'
Clock that weighs the passing time!
Bells that clanging changes chime
Wind-transported; and proclaim
Which way fitful breezes came !
These and such as these-ah me!
Fast can fill the vacancy!

Rumbling earth that quakes and sea
That no more at rest may be !
Pebbles, through which down apace
Wave-rejoining-wave-drops race!
Trumpet-blare! Fierce snort of funnel,
Sudden rush of train through tunnel,
Breaking stillness of the night
By the roaring of its flight!
Grind of upper-millstone, worn
By the grit of golden corn!
Knife-edge chirp of flittermouse
Hovering about the house
Crickets! (elfish bellows blowing,

Hearthstone to their comrades showing!)

Lowing oxen grunting swine!

Rustle of soft silk gowns fine!

Rustle of the autumn leaves !

Rustle of the barley sheaves!

Shout of children tossing hay

Through the clear long summer's day!
Tender song of nightingale

Breaking stillness! while the pale
Cold moon shines on us.

.. Redbreast's ditty,

Sparrow's chirp in roaring city,

Linnet's twitter on the tree

Swaying round him airily!

Lark's low tone-while prone he lies
Ere his clear song wake the skies !
Thrush's soft melodious note !
Blackbird's gurgle! while with throat
Wide-op'd, many a turn he sings
And counter-turn, on men and things,
Flinging wing-supporting joy
Broadcast-Gladness sans alloy !
These, and more and such as they
May vibrate on the air to-day-
Or within the silent night
Vex the wearied, or delight!
Moor-hen's startled midnight cry
Warning of the poacher nigh!
Ghostly sound of great white owl-
Snoring 'neath his feather'd cowl!
Artillery of summer night

That wraps the world in blinding light!
Crow of haughty Chanticleer

Heralding the dawn as near,

Sound of wind among the reeds!

Bleating lambs! or neighing steeds!

Squeak of wainscot-shelter'd mouse-
Whirr of heavy-winged grouse !
Bell of stag across the glen!
Roll of drums! and march of men!
Crack'ling fire!-the shot of coal
Flung by tons into the hole!

Cats the witch-imps! ever roaming
O'er the dark roofs in the gloaming!
Drive of skates upon the ice,
Needle, graving quaint device!
Noisy factory's ceaseless din
When the busy Hands are in!
Peaceful sound of cottage loom,
(Close where water-lilies bloom :)
Farrier's blows, that fall full fast!
Post-horn as the coach whirls past!
Splash of fishes in a pool

Where they shelter in the cool
From day's noon-tide (nor turn by
To entrap the gadding fly!)
Plunge of water-rat that goes
A header, under terrier's nose!
Yell that at the winning-post
Tells the Fav'rite's won,-or lost!
These, and every other sound

That in wide world doth abound!—

Corncrake cuckoo ! flight of plover!
Cry of hounds that draw the cover,
Joyful sound of view-halloo !
Jackals' wailing (doleful crew!)
Echoes of far-distant lands
Held in mem'ry's fateful bands!
Eight-bells summons a-board ship !
Crack of foreign post-boy's whip,
Thud of colts'-hoofs, home that pelt,
Driven o'er the flow'ring Veldt:
Squeal of shepherds' pipes, that come
From where ragged peasants roam
O'er Campagna! as with song
They, dancing, drive the day along!
Hyænas that wildly laugh!

(Drunk with hunger !)-plaint of calf!
Leaping flames that lick the air!

Growl of leopard in bis lair!

Scream of parrots, as they fly

Athwart the hot unclouded sky!

Monkey's chatter! as they mock

Pursuit; and swing from rock to rock :

Groaning camels, that complain

Like prison'd souls in speechless pain:
Heavy creek of water-wheel

As o'er and o'er the pitchers reel

While drudging beast, with eyes close-bound
Makes his daily Nile-bank round;
Hailstorm of swift musketiy!
Cannons booming-by and by
War's alarum! ("Here come I

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At whose advent ye shall die!"')
These, and all that has been heard
Since erst was spoke an utter'd word,-
These, and all that has been read,
May float into the dreaming head
Antagonists to rest! or come
To chase the hope of silence home!
Pleasing, paining, to and fro
Hither flit and thither go!
Jar or jangle in the mind-
These, or others it may find
Or, by concord and device
Fit with thought, and harmonize!
How-so-much they tuneful be,
None of these enthralleth me!

These and thousands such as they

Sad or merry grave or gay!

One Sound puts other sounds to flight!

One Sound-makes pain, or joy, delight!
All else as Silence' self I hold

Whenever the true Hour is told!

One Sound, the never-elsewhere-found,

One Sound that is much more than sound!
One Sound-in which all virtue's wrought!
One Sound in which is fus'd all thought!
A Sound to bid each heartache fly,
And life beat time to ecstasy!

One Sound; (above thy steadfast tread-
More lov'd than all that comes instead)
One Sound to make my heart rejoice
The long'd-for music of Thy Voice.

-Spectator.

DE QUINCEY.

BY GEORGE SAINTSBury.

IN not a few respects the literary lot of Thomas de Quincey, both during his life and after it, has been exceedingly peculiar. In one respect it has been unique. I do not know that any other author of anything like his merit during our time has had a piece of work published for fully twenty years as his, only for it to be excluded as somebody else's at the end of that time. Certainly The Traditions of the Rabbins was very De Quinceyish; Indeed, it was so De Quinceyish that the discovery, after such a length of time, that it was not De Quincey's at all, but "Salathiel" Croly's, must have given unpleasant qualms to more than one critic accustomed to be positive on internal evidence. But if De Quincey had thus attributed to him work that was not his, he has also had the utmost difficulty in getting attributed to him in any accessible form work that was his own. Three, or nominally four, editions-one in the decade of his death, superintended for the most part by himself; another in 1862, whose blue coat and white labels dwell in the fond memory; and another in 1878 (reprinted in 1883) a little altered and enlarged, with the Rabbins turned out and more soberly clad, but identical in the main-put before the British public for some thirty-five years a certain portion of his strange, long-delayed, but voluminous work. This work had occupied him for about the same period, that is to say for the last and shorter half of his extraordinary and yet uneventful life. Now after much praying of readers, and grumbling of critics, we have a fifth and definitive edition from the English critic who has given most attention to De Quincey, Professor Masson. * I may say with hearty

De Quincey's Works; edited by David Masson. In fourteen volumes; Edinburgh, 1889-90. The first volume appeared in November last, and the others have followed monthly since.

acknowledgment of Mr. Masson's services to English literature-acknowledgments which can nowhere be more in place than here--that I do not very much like this last edition. De Quincey, never much favored by the mechanical producers of books, has had his sizings, as Byron would say, still further stiuted in the matter of print, margins, and the like; and what I cannot but regard as a rather unceremonious tampering with his own arrangement has taken place, the new matter being not added in supplementary volumes or in appendices to the reprinted volumes, but thrust into or between the separate essays, sometimes to the destruction of De Quincey's "redaction" altogether, and always to the confusion and dislocation of his arrangement, which has also been neglected in other ways. In former reissues Messrs. Black, following the usage of all the best publishers, arranged their additions so that the possessors of earlier issues could complete them at will, and, so far as I know, De Quincey's own arrange. ment was entirely respected, except in the very harmless change of making the fifth volume the first so as to lead off with the Confessions. Such a completion is now impossible* and though this is a small evil in comparison with the slight put on De Quincey's digestion of his own work, it is, I think, an evil. Still the actual generation of readers, when this edition is finished, will undoubtedly have before them a fuller and completer edition of De Quincey than even Americans have yet had; and they will have it edited by an accomplished scholar who has taken a great deal of pains to acquaint himself thoroughly with the subject.

Will they form a different estimate from that which those of us who have

Some help has however been given by a subsequent publication of De Quincey's Uncollected Writings, by J. Hogg. Two vols.; London, 1890.

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