The Sovereign Flower: On Shakespeare as the Poet of Royalism Together with Related Essays and Indexes to Earlier VolumesRoutledge, 28.10.2013 - 328 Seiten First published in 2002. This is the final Volume IV of the five G. Wilson Knight collected works series and focuses on Shakespeare as the Poet of Royalism together with related essays and indexes to earlier volumes. The emphasis in this volume is the shift from Shakespeare as the poet of England to Shakespeare as the poet of royalism, in a wide sense. |
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Seite 7
... later for my various lecture - recitals culminating in the Westminster Theatre production of 1941 ; but its present use is reasonable , since from the start it has served as a generic title for this strand in my work . The ' narra- tive ...
... later for my various lecture - recitals culminating in the Westminster Theatre production of 1941 ; but its present use is reasonable , since from the start it has served as a generic title for this strand in my work . The ' narra- tive ...
Seite 8
... later taken by my Shakespearian investigations were in formulation two years before the publication of The Wheel of Fire . Some notes as to other early pieces not included in my main volumes may here be in place . Contributions to The ...
... later taken by my Shakespearian investigations were in formulation two years before the publication of The Wheel of Fire . Some notes as to other early pieces not included in my main volumes may here be in place . Contributions to The ...
Seite 16
... ; but we should also observe that the grand persons of Henry VI cannot open their mouths at a passionate moment without loading their speech with vivid analogies from nature . Here , as later in Coriolanus , 16 THE SOVEREIGN FLOWER.
... ; but we should also observe that the grand persons of Henry VI cannot open their mouths at a passionate moment without loading their speech with vivid analogies from nature . Here , as later in Coriolanus , 16 THE SOVEREIGN FLOWER.
Seite 17
... later in Coriolanus , the many analogies point us to a peculiarly clear contrast of beasts of prey and gentle creatures ; wolves , foxes , kites , against lambs , chickens , and partridges ; or even caterpillars and leaves ( 2 Henry VI ...
... later in Coriolanus , the many analogies point us to a peculiarly clear contrast of beasts of prey and gentle creatures ; wolves , foxes , kites , against lambs , chickens , and partridges ; or even caterpillars and leaves ( 2 Henry VI ...
Seite 35
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Inhalt
7 | |
Well | 93 |
Whats in a Name? | 161 |
A Literature and the Nation | 263 |
cA Royal Propaganda | 273 |
The Second Part of King Henry VI and Macbeth | 280 |
E The Principles of Shakespeare Interpretation 1928 | 287 |
A Shakespearian Works | 297 |
General | 318 |
Häufige Begriffe und Wortgruppen
action already Antony and Cleopatra appears balance becomes Bertram blood Caesar called Christian close comes Compare contrast criticism Crown death dramatic effect Elizabethan England English especially evil exists express eyes father feel felt final follow force given gives greater Hamlet hand hath heart Heaven Helena Henry hold honour human imperial important interpretation Italy King Lear later less lines live lord Macbeth matters meaning Measure mind nature never once Parolles peace perhaps phrase play poetic poetry positive present Prince recalls recognize reference regard Richard Roman royal royalty scene seems seen sense sexual Shakespeare's Shakespearian significance speak speech spiritual suggestion symbolic Tempest theme thing thou thought throughout Timon tragedy tragic true turn universal values virginity virtue whole young