The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 |
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Seite 10
... respect to the circumstance of his brother's death . Through three acts Richard appears the close dissembling politician , and affords no great variety of action ; indeed his foliloquys are so long and so frequent ; that very few who ...
... respect to the circumstance of his brother's death . Through three acts Richard appears the close dissembling politician , and affords no great variety of action ; indeed his foliloquys are so long and so frequent ; that very few who ...
Seite 11
... respect of marking particular places with pecu- liar emphasis , some exceptions may be taken , or doubts raised against every person I have ever seen in the part ; however , tracing minute lapses of this kind , which after all may be ...
... respect of marking particular places with pecu- liar emphasis , some exceptions may be taken , or doubts raised against every person I have ever seen in the part ; however , tracing minute lapses of this kind , which after all may be ...
Seite 13
... respect and attention ; Mrs. PRITCHARD did more for it in action , than the Author in writing ; it is now given to second and third rates , for what reason is hard to say , as there never was , nor per haps ever will be , an actress of ...
... respect and attention ; Mrs. PRITCHARD did more for it in action , than the Author in writing ; it is now given to second and third rates , for what reason is hard to say , as there never was , nor per haps ever will be , an actress of ...
Seite 16
... respect ... The scene which introduces Horatio , & c . to communicate the circumstance of the preceding night fucceeds naturally ; and the broken mode of conversation , in lines and half - lines , is so art- fully contrived , is ...
... respect ... The scene which introduces Horatio , & c . to communicate the circumstance of the preceding night fucceeds naturally ; and the broken mode of conversation , in lines and half - lines , is so art- fully contrived , is ...
Seite 21
... respecting Pyrrhus , are pleafing and natural circumstances , though of the minute kind . From the imagery of those speeches which the Player repeats , it appears plainly that they , and the scene in the third act are not only intended ...
... respecting Pyrrhus , are pleafing and natural circumstances , though of the minute kind . From the imagery of those speeches which the Player repeats , it appears plainly that they , and the scene in the third act are not only intended ...
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agreeable alſo appears audience Beggar's Opera Cato cauſe cenſure character characteriſtic circumſtance confiderable conſequence contraſt converſation Cymon Cyrus defire deſcription deſerves deſign eaſy eſpecially expreffion expreſſed expreſſion Fair Penitent fatire favour feelings feems firſt firſt ſcene foliloquy fome freſh fuch happily houſe humour inſtructive intereſting Jaffier Juliet juſt juſtice juſtly King King Lear lady laſt leſs Macbeth maſterly mention Merchant of Venice merit Miſs miſtreſs moſt muſt nature obſervation occafions Othello paffion paſſages paſſes paſſion perſon piece pleaſing pleaſure praiſe preſent preſerved promiſes purpoſe racter raiſe reaſon repreſentation reſolution reſpect riſes Romeo Romeo and Juliet ſays ſcene ſecond act ſeems ſeen ſenſe ſenſible ſentiments ſet ſeveral ſhall ſhe ſhews ſhort ſhould ſituation ſome ſpeaks ſpeech ſpirit ſtage ſtands ſtate ſtile ſtill ſtrain ſtrange ſtriking ſubject ſuch ſuitable ſupported ſuppoſe taſte tender Teribazus theſe third act thoſe tion uſe Venice Venice Preserved whoſe wiſh Zenobia
Beliebte Passagen
Seite 100 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Seite 464 - Sweet are the uses of adversity, Which, like the toad.' ugly and venomous, Wears yet a precious jewel in his head ; And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in, stones, and good in every thing.
Seite 464 - The seasons' difference; as, the icy fang, And churlish chiding of the winter's wind; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say,— This is no flattery: these are counsellors That feelingly persuade me what I am.
Seite 289 - For do but note a wild and wanton herd, Or race of youthful and unhandled colts, Fetching mad bounds, bellowing and neighing loud, Which is the hot condition of their blood ; If they but hear perchance a trumpet sound, Or any air of music touch their ears, You shall perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze By the sweet power of music...
Seite 85 - This guest of summer, The temple-haunting martlet, does approve By his loved mansionry that the heaven's breath Smells wooingly here : no jutty, frieze, Buttress, nor coign of vantage, but this bird Hath made his pendant bed and procreant cradle : Where they most breed and haunt, I have observed The air is delicate.
Seite 141 - I'll see, before I doubt; when I doubt, prove; And, on the proof, there is no more but this, — Away at once with love, or jealousy.
Seite 286 - Tis mightieft in the mightieft; it becomes The throned monarch better than his crown...
Seite 62 - Suppose we lampoon'd all the pretty women in town and left her out ; or, what if we made a ball, and forgot to invite her, with one or two of the ugliest.
Seite 467 - If ever been where bells have knoll'd to church ; If ever sat at any good man's feast ; If ever from your eyelids wiped a tear, And know what 'tis to pity and be pitied ; Let gentleness my strong enforcement be : In the which hope, I blush, and hide my sword.
Seite 102 - The way to dufty death. Out, out, brief candle ! Life's but a walking fhadow ; a poor player, That ftruts and frets his hour upon the ftage, And then is heard no more : it is a tale Told by an idiot, full of found and fury, Signifying nothing.