The theory and practice of composition |
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Seite 41
... may rain . Possibility . If he be at home , we shall see him . Impossibility . If the figure is a square , it is not a circle . Negation . If he were at home , we should see him . Analyze - You will learn , if you are diligent 41.
... may rain . Possibility . If he be at home , we shall see him . Impossibility . If the figure is a square , it is not a circle . Negation . If he were at home , we should see him . Analyze - You will learn , if you are diligent 41.
Seite 59
... Figure of Syllogism - Mode , and Reduction . 13. Division of Arguments . 14. Enthymeme . Sophism . 15. Fallacies - Prejudices , Observation , Generalization , Ra- tiocination , and Confusion . 16. Promiscuous Examples . 17. Parsing ...
... Figure of Syllogism - Mode , and Reduction . 13. Division of Arguments . 14. Enthymeme . Sophism . 15. Fallacies - Prejudices , Observation , Generalization , Ra- tiocination , and Confusion . 16. Promiscuous Examples . 17. Parsing ...
Seite 72
... FIGURE OF SYLLOGISM . Syllogism is the inference of one proposition from two . The Figure of a syllogism is the disposition 72.
... FIGURE OF SYLLOGISM . Syllogism is the inference of one proposition from two . The Figure of a syllogism is the disposition 72.
Seite 73
William Hunter (rector of Ayr acad.) two . The Figure of a syllogism is the disposition of the middle term in the premises . As the middle term may be disposed in four different ways , there are four Figures . Fig . 1. The middle term ...
William Hunter (rector of Ayr acad.) two . The Figure of a syllogism is the disposition of the middle term in the premises . As the middle term may be disposed in four different ways , there are four Figures . Fig . 1. The middle term ...
Seite 74
... Figures , and 1 of the 10 in all the Figures . In Fig . 1 there are 4 Modes ; in Fig . 2 , 4 ; in Fig . 3 , 6 ; in Fig . 4 , 5. The vowels , in the syllables of the following words , determine the quantity and quality of the ...
... Figures , and 1 of the 10 in all the Figures . In Fig . 1 there are 4 Modes ; in Fig . 2 , 4 ; in Fig . 3 , 6 ; in Fig . 4 , 5. The vowels , in the syllables of the following words , determine the quantity and quality of the ...
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The Theory And Practice Of Composition William Hunter (Rector of Ayr Acad ) Keine Leseprobe verfügbar - 2019 |
The Theory And Practice Of Composition William Hunter (Rector of Ayr Acad ) Keine Leseprobe verfügbar - 2019 |
Häufige Begriffe und Wortgruppen
A B C accented adjective Adverbs affirmative Analogy ANALYSIS Analyze-He Anapestic Anglo-Saxon animal antecedent Argument asserted attributes AYR ACADEMY Bacchius bird C'est caesura cause Cesar co-existence common viper conclusion conjunction connotation contradictory copula dative denotes dependent sentence effect Enthymeme ergo evidence example experience expressed fact fait fever fish floods the meadow fore gerund heaven Illum implies indirect object Induction inferred Latin and French lead light mammal manner metaphor middle term mind mineral is transparent minerals are fusible mode modified negative night noun object Observation participle particular person Plurality predicate premises produced Promiscuous Exercises pronoun properties proposition proved qu'il quam quantity refuted Show sick simile Sophism species Spondee Syllogism SYNECDOCHE testimony thee thing thou trochees true unaccented syllables verb Viola Odorata virtue virtuous viviparous voir warm-blooded whales writing
Beliebte Passagen
Seite 91 - SHE walks in beauty, like the night Of cloudless climes and starry skies ; And all that's best of dark and bright Meet in her aspect and her eyes : Thus mellow'd to that tender light Which Heaven to gaudy day denies.
Seite 99 - I shall detain you now no longer in the demonstration of what we should not do, but straight conduct you to a hill-side, where I will point you out the right path of a virtuous and noble education ; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect, and melodious sounds on every side, that the harp of Orpheus was not more charming.
Seite 51 - The abuse of greatness is, when it disjoins Remorse from power; and, to speak truth of Caesar, I have not known when his affections sway'd More than his reason. But 'tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
Seite 61 - Heaven doth with us as we with torches do ; Not light them for themselves : for if our virtues Did not go forth of us, 'twere all alike As if we had them not...
Seite 51 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend: so Caesar may; Then, lest he may, prevent.
Seite 55 - And do you now put on your best attire? And do you now cull out a holiday? And do you now strew flowers in his way, That comes in triumph over Pompey's blood?
Seite 55 - The torrent roar'd, and we did buffet it With lusty sinews, throwing it aside And stemming it with hearts of controversy; But ere we could arrive the point propos'd, Caesar cried, 'Help me, Cassius, or I sink!
Seite 56 - Cowards die many times before their deaths; The valiant never taste of death but once. Of all the wonders that I yet have heard, It seems to me most strange that men should fear, Seeing that death, a necessary end, Will come when it will come.
Seite 84 - The knight seeing his habitation reduced to so small a compass, and himself in a manner shut out of his own house, upon the death of his mother ordered all the apartments to be flung open, and exorcised by his chaplain, who lay in every room one after another, and by that means dissipated the fears which had so long reigned in the family.
Seite 81 - No, soldiers, there is nothing left for us but what we can vindicate with our swords. Come on, then, — be men. The Romans may with more safety...