Historical and critical matter The tempest. Two gentlemen of Verona. Merry wives of Windsor |
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Seite 26
At last an edition was undertaken by Rowe ; not because a poet was to be
published by a poet , for Rowe seems to have thought very little on correction or
explanation , but that our author's works might appear like those of his fraternity ,
with ...
At last an edition was undertaken by Rowe ; not because a poet was to be
published by a poet , for Rowe seems to have thought very little on correction or
explanation , but that our author's works might appear like those of his fraternity ,
with ...
Seite 57
Neither of these pieces appears to have been acted on a publick theatre , nor
was there at that time any building in London constructed solely for the purpose
of representing plays . Of the latter piece , which , as Mr. Warton has observed , is
...
Neither of these pieces appears to have been acted on a publick theatre , nor
was there at that time any building in London constructed solely for the purpose
of representing plays . Of the latter piece , which , as Mr. Warton has observed , is
...
Seite 58
I have elsewhere observed that every one of the subjects on which he
constructed his historical plays , appears to have been dramatized , and brought
upon the scene , before his time . The historical drama is by an elegant modern
writer ...
I have elsewhere observed that every one of the subjects on which he
constructed his historical plays , appears to have been dramatized , and brought
upon the scene , before his time . The historical drama is by an elegant modern
writer ...
Seite 76
It appears from the stage - directions given in The Spanish Tragedy , that when a
play was exhibited within a play , ( if I may so express myself , ) as is the case in
that piece and in Hamlet , the court or audience before whom the interlude was ...
It appears from the stage - directions given in The Spanish Tragedy , that when a
play was exhibited within a play , ( if I may so express myself , ) as is the case in
that piece and in Hamlet , the court or audience before whom the interlude was ...
Seite 79
An epilogue does not appear to have been a regular appendage to a play in
Shakspeare's time ; for many of his dramas had ... in the piece ; for that subjoined
to The Second Part of King Henry IV . appears to have been delivered by a
dancer .
An epilogue does not appear to have been a regular appendage to a play in
Shakspeare's time ; for many of his dramas had ... in the piece ; for that subjoined
to The Second Part of King Henry IV . appears to have been delivered by a
dancer .
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Häufige Begriffe und Wortgruppen
acted ancient Anne appears Ariel believe Caius called character comes common copies daughter death drama Duke edition Enter exhibited Exit eyes fair father follow Ford give given hand hath hear heart heaven Henry hope Host I'll Italy John kind King lady language Laun learning leave letter lines living look lord Malone Marry master means mind mistress nature never night observed opinion original Page passage performed perhaps persons piece play poet pray present printed probably produced Proteus Queen Quick reason represented scenes seems servant Shakspeare Shakspeare's Shal Silvia sometimes speak Speed spirit stage stand STEEVENS suppose tell theatre thee thing thou thought tion true Valentine wife woman writer written
Beliebte Passagen
Seite 37 - I' the commonwealth I would by contraries Execute all things: For no kind of traffic Would I admit; no name of magistrate; Letters should not be known ; riches, poverty, And use of service, none; contract, succession, Bourn, bound of land, tilth, vineyard, none; No use of metal, corn, or wine, or oil; No occupation; all men idle, all, And women too, but innocent and pure : No sovereignty— Seb.
Seite 64 - Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I waked, I cried to dream again.
Seite 88 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him When he comes back ; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites ; and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew...
Seite 172 - Who is Silvia ? what is she, That all our swains commend her? Holy, fair, and wise is she, The heaven such grace did lend her, That she might admired be. Is she kind as she is fair? For beauty lives with kindness: Love doth to her eyes repair, To help him of his blindness ; And, being help'd, inhabits there. Then to Silvia let us sing, That Silvia is excelling; She excels each mortal thing, Upon the dull earth dwelling: To her let us garlands bring.
Seite 142 - Not for the world : why, man, she is mine own ; And I as rich in having such a jewel As twenty seas, if all their sand were pearl, The water nectar, and the rocks pure gold.
Seite 6 - The force of his comic scenes has suffered little diminution from the changes made by a century and a half, in manners or in words. As his personages act upon principles arising from genuine passion, very little modified by particular forms, their pleasures and vexations are communicable to all times and to all places ; they are natural, and therefore durable...
Seite 7 - If there be, what I believe there is, in every nation, a style which never becomes obsolete, a certain mode of phraseology so consonant and congenial to the analogy and principles of its respective language, as to remain settled and unaltered : this style is probably to be sought in the common intercourse of life, among those who speak only to be understood, without ambition of elegance.
Seite 12 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Seite 3 - Shakespeare approximates the remote and familiarizes the wonderful; the event which he represents will not happen, but if it were possible its effects would probably be such as he has assigned; and it may be said that he has not only shown human nature as it acts in real exigencies but as it would be found in trials to which it cannot be exposed.
Seite 3 - His adherence to general nature has exposed him to the censure of critics, who form their judgments upon narrower principles. Dennis and Rymer think his Romans not sufficiently Roman ; and Voltaire censures his kings as not completely royal.
Bibliografische Informationen
| Titel | Historical and critical matter The tempest. Two gentlemen of Verona. Merry wives of Windsor Band 1 von The Plays of William Shakspeare: Accurately Printed from the Text of the Corrected Copy Left by the Late George Steevens, Esq., with a Selection of Explanatory and Historical Notes from the Most Eminent Commentators, a History of the Stage, a Life of Shakespeare, &c, William Shakespeare |
| Autor/in | William Shakespeare |
| Herausgeber | Alexander Chalmers |
| Verlag | J. Nichols, 1811 |
| Original von | New York Public Library |
| Digitalisiert | 28. Dez. 2006 |
| Zitat exportieren | BiBTeX EndNote RefMan |