Historical and critical matter The tempest. Two gentlemen of Verona. Merry wives of Windsor |
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These lines , it must be confessed , do no great honour to our poet ; and probably
were unjust ; for although some of his admirers have recorded Sir Thomas as a “
vain , weak , and vindictive magistrate , , " he was certainly exerting no very ...
These lines , it must be confessed , do no great honour to our poet ; and probably
were unjust ; for although some of his admirers have recorded Sir Thomas as a “
vain , weak , and vindictive magistrate , , " he was certainly exerting no very ...
Seite 26
care of the author , and therefore probably without his knowledge . Of all the
publishers , clandestine or professed , the negligence and unskilfulness has by
the late revisers been sufficiently shown . The faults of all are indeed numerous
and ...
care of the author , and therefore probably without his knowledge . Of all the
publishers , clandestine or professed , the negligence and unskilfulness has by
the late revisers been sufficiently shown . The faults of all are indeed numerous
and ...
Seite 45
They were instituted , although perhaps under other names , in the Greek church
, about the year 990 , by Theophylact , patriarch of Constantinople , probably with
a better design than is imagined by the ecclesiastical annalists ; that of ...
They were instituted , although perhaps under other names , in the Greek church
, about the year 990 , by Theophylact , patriarch of Constantinople , probably with
a better design than is imagined by the ecclesiastical annalists ; that of ...
Seite 50
... the only instance he has met with of choir - boys performing in Mysteries ; but it
appears from the accompts of various monasteries that this was a very ancient
practice , probably coeval with the earliest attempts at dramatick representations .
... the only instance he has met with of choir - boys performing in Mysteries ; but it
appears from the accompts of various monasteries that this was a very ancient
practice , probably coeval with the earliest attempts at dramatick representations .
Seite 66
The galleries , or scaffolds , as they are sometimes called , and that part of the
house which in private theatres was named the pit , seem to have been at the
same price ; and probably in houses of reputation , such as the Globe , and that
in ...
The galleries , or scaffolds , as they are sometimes called , and that part of the
house which in private theatres was named the pit , seem to have been at the
same price ; and probably in houses of reputation , such as the Globe , and that
in ...
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acted ancient Anne appears Ariel believe Caius called character comes common copies daughter death drama Duke edition Enter exhibited Exit eyes fair father follow Ford give given hand hath hear heart heaven Henry hope Host I'll Italy John kind King lady language Laun learning leave letter lines living look lord Malone Marry master means mind mistress nature never night observed opinion original Page passage performed perhaps persons piece play poet pray present printed probably produced Proteus Queen Quick reason represented scenes seems servant Shakspeare Shakspeare's Shal Silvia sometimes speak Speed spirit stage stand STEEVENS suppose tell theatre thee thing thou thought tion true Valentine wife woman writer written
Beliebte Passagen
Seite 37 - I' the commonwealth I would by contraries Execute all things: For no kind of traffic Would I admit; no name of magistrate; Letters should not be known ; riches, poverty, And use of service, none; contract, succession, Bourn, bound of land, tilth, vineyard, none; No use of metal, corn, or wine, or oil; No occupation; all men idle, all, And women too, but innocent and pure : No sovereignty— Seb.
Seite 64 - Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I waked, I cried to dream again.
Seite 88 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him When he comes back ; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites ; and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew...
Seite 172 - Who is Silvia ? what is she, That all our swains commend her? Holy, fair, and wise is she, The heaven such grace did lend her, That she might admired be. Is she kind as she is fair? For beauty lives with kindness: Love doth to her eyes repair, To help him of his blindness ; And, being help'd, inhabits there. Then to Silvia let us sing, That Silvia is excelling; She excels each mortal thing, Upon the dull earth dwelling: To her let us garlands bring.
Seite 142 - Not for the world : why, man, she is mine own ; And I as rich in having such a jewel As twenty seas, if all their sand were pearl, The water nectar, and the rocks pure gold.
Seite 6 - The force of his comic scenes has suffered little diminution from the changes made by a century and a half, in manners or in words. As his personages act upon principles arising from genuine passion, very little modified by particular forms, their pleasures and vexations are communicable to all times and to all places ; they are natural, and therefore durable...
Seite 7 - If there be, what I believe there is, in every nation, a style which never becomes obsolete, a certain mode of phraseology so consonant and congenial to the analogy and principles of its respective language, as to remain settled and unaltered : this style is probably to be sought in the common intercourse of life, among those who speak only to be understood, without ambition of elegance.
Seite 12 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Seite 3 - Shakespeare approximates the remote and familiarizes the wonderful; the event which he represents will not happen, but if it were possible its effects would probably be such as he has assigned; and it may be said that he has not only shown human nature as it acts in real exigencies but as it would be found in trials to which it cannot be exposed.
Seite 3 - His adherence to general nature has exposed him to the censure of critics, who form their judgments upon narrower principles. Dennis and Rymer think his Romans not sufficiently Roman ; and Voltaire censures his kings as not completely royal.
Bibliografische Informationen
| Titel | Historical and critical matter The tempest. Two gentlemen of Verona. Merry wives of Windsor Band 1 von The Plays of William Shakspeare: Accurately Printed from the Text of the Corrected Copy Left by the Late George Steevens, Esq., with a Selection of Explanatory and Historical Notes from the Most Eminent Commentators, a History of the Stage, a Life of Shakespeare, &c, William Shakespeare |
| Autor/in | William Shakespeare |
| Herausgeber | Alexander Chalmers |
| Verlag | J. Nichols, 1811 |
| Original von | New York Public Library |
| Digitalisiert | 28. Dez. 2006 |
| Zitat exportieren | BiBTeX EndNote RefMan |