then they laugh at him, and beat him. I am sure, he is in the fleet: I would he had boarded me!

Bene. When I know the gentleman, I'll tell him what you

say.

Beat. Do, do: he'll but break a comparison or two on me; which, peradventure, not marked, or not laughed at, strikes him into melancholy; and then there's a partridge' wing saved, for the fool will eat no supper that night. [Music within.] We must follow the leaders.

Bene. In every good thing.

Beat. Nay, if they lead to any ill, I will leave them at the next turning.

[Dance. Then, exeunt all but JOHN, BORACHIO, and CLAUDIO.

John. Sure, my brother is amorous on Hero, and hath withdrawn her father to break with him about it. The ladies follow her, and but one visor remains.

Bora. And that is Claudio: I know him by his bearing. John. Are not you signior Benedick?

Claud. You know me well: I am he.

John. Signior, you are very near my brother in his love: he is enamoured on Hero. I pray you, dissuade him from her; she is no equal for his birth: you may do the part of an honest man in it.

Claud. How know you he loves her?

John. I heard him swear his affection.

Bora. So did I too; and he swore he would marry her tonight.

John. Come, let us to the banquet.

[Exeunt JOHN and BORACHIO.

Claud. Thus answer I in name of Benedick,

But hear these ill news with the ears of Claudio. 'Tis certain so: the prince woos for himself.

Friendship is constant in all other things,

Save in the office and affairs of love:

Therefore, all hearts in love use their own tongues ;
Let every eye negotiate for itself,

And trust no agent; for beauty is a witch,

Against whose charms faith melteth into blood.

This is an accident of hourly proof,

Which I mistrusted not. Farewell, then, Hero'!

4

1 Farewell, THEN, Hero!] So the corr. fo. 1632: the ordinary reading has been

Re-enter BENEDICK.

Bene. Count Claudio ?

Claud. Yea, the same.

Bene. Come, will you go with me?
Claud. Whither?

Bene. Even to the next willow, about your own business, county. What fashion will you wear the garland of? About your neck, like an usurer's chain', or under your arm, like a lieutenant's scarf? You must wear it one way, for the prince hath got your Hero.

Claud. I wish him joy of her.

Bene. Why, that's spoken like an honest drover: so they sell bullocks. But did you think, the prince would have served you thus ?

Claud. I pray you, leave me.

Bene. Ho! now you strike like the blind man: 'twas the boy that stole your meat, and you'll beat the post. Claud. If it will not be, I'll leave you.

[Exit.

Bene. Alas, poor hurt fowl! Now will he creep into sedges. -But, that my lady Beatrice should know me, and not know me! The prince's fool!-Ha! it may be, I go under that title because I am merry.-Yea; but so I am apt to do myself wrong: I am not so reputed: it is the base, though bitter, disposition of Beatrice, that puts the world into her person, and so gives me out. Well, I'll be revenged as I may.

Re-enter Don PEDRO.

D. Pedro. Now, signior, where's the count? Did you see him?

Bene. Troth, my lord, I have played the part of lady Fame. I found him here as melancholy as a lodge in a warren: I told him, and, I think, I told him true, that your grace had got the good will of this young lady; and I offered him my company to a willow tree, either to make him a garland, as being forsaken, or to bind him up a rod, as being worthy to be whipped.

D. Pedro. To be whipped! What's his fault?

Bene. The flat transgression of a school-boy; who, being

"Farewell, therefore, Hero!" which is offensive to the measure, while " then has the same meaning here, viz. for that reason.

5

like an usurer's chain,] Chains of gold were at this time worn by persons of wealth, such as usurers; and Benedick, we may easily imagine, was not illacquainted with the habits of persons who advanced money upon large interest.

overjoy'd with finding a bird's nest, shows it his companion, and he steals it.

D. Pedro. Wilt thou make a trust a transgression? The transgression is in the stealer.

Bene. Yet it had not been amiss, the rod had been made, and the garland too; for the garland he might have worn himself, and the rod he might have bestow'd on you, who, as I take it, have stolen his bird's nest.

D. Pedro. I will but teach them to sing, and restore them to the owner.

Bene. If their singing answer your saying, by my faith, you say honestly.

D. Pedro. The lady Beatrice hath a quarrel to you: the gentleman, that danced with her, told her she is much wronged by you.

Bene. O she misused me past the endurance of a block: an oak, but with one green leaf on it, would have answered her: my very visor began to assume life, and scold with her. She told me, not thinking I had been myself, that I was the prince's jester; that I was duller than a great thaw; huddling jest upon jest, with such importable conveyance, upon me, that I stood like a man at a mark, with a whole army shooting at me. She speaks poignards, and every word stabs: if her breath were as terrible as her terminations, there were no living near her; she would infect to the north star. I would not marry her, though she were endowed with all that Adam had lent him before he transgressed': she would have made Hercules have turned spit, yea, and have cleft his club to make the fire too. Come, talk not of her; you shall find her the infernal Até in good apparel. I would to God, some scholar would conjure her; for, certainly, while she is here, a man

6

with such IMPORTABLE conveyance,] So the corr. fo. 1632. We should now use the word insupportable; but Spenser (Fairy Queen, II. 8) has "importable power," for power not to be resisted. The word in the old editions is "impossible."

1

- all that Adam had LENT him before he transgressed:] i. e. Had bestowed upon him, when he was in his early state of perfection. "Lent" is from the corr. fo. 1632: the usual text has been left, which would be proper, if the poet were speaking of what Adam had left him, after he transgressed.

8

the infernal Até in good apparel.] "This is a pleasant allusion," says Warburton, "to the custom of ancient poets and painters, who represent the furies in rags." Até was not a fury, and strictly Warburton ought not to have called her one, but the fact makes no other difference in the appropriateness of the note. The Rev. Mr. Dyce, in his "Remarks," p. 32, is rather hard upon the Bishop, and I was incautious in following such a leader.

may live as quiet in hell, as in a sanctuary; and people sin upon purpose, because they would go thither, so, indeed, all disquiet, horror, and perturbation follow her.

Enter CLAUDIO, BEATRICE, HERO, and LEONATO.

D. Pedro. Look, here she comes.

Bene. Will your grace command me any service to the world's end? I will go on the slightest errand now to the Antipodes, that you can devise to send me on: I will fetch you a toothpicker now from the farthest inch of Asia; bring you the length of Prester John's foot; fetch you a hair of the great Cham's beard; do you any embassage to the Pigmies, rather than hold three words' conference with this harpy. You have no employment for me?

D. Pedro. None, but to desire your good company.

Bene. O God, sir, here's a dish I love not: I cannot endure my lady Tongue '.

[Exit. D. Pedro. Come, lady, come; you have lost the heart of signior Benedick.

Beat. Indeed, my lord, he lent it me awhile; and I gave him use for it, a double heart for his single one: marry, once before he won it of me with false dice, therefore your grace may well say I have lost it.

D. Pedro. You have put him down, lady; you have put

him down.

Beat. So I would not he should do me, my lord, lest I should prove the mother of fools. I have brought count Claudio, whom you sent me to seek.

D. Pedro. Why, how now, count? wherefore are you sad? Claud. Not sad, my lord.

D. Pedro. How then? Sick?

Claud. Neither, my lord.

Beat. The count is neither sad, nor sick, nor merry, nor well; but civil, count, civil as an orange, and something of that jealous complexion'.

D. Pedro. I'faith, lady, I think your blazon to be true; though, I'll be sworn, if he be so, his conceit is false. Here, Claudio, I have wooed in thy name, and fair Hero is won: I

9

My lady Tongue.] The folio reads, "this lady Tongue." The corr. fo. 1632, "my lady Tongue," in conformity with the 4to, 1598.

1

of THAT jealous complexion.] The folio reads, "of a jealous complexion." The corr. fo. 1632 has "something of as jealous a complexion." The oldest text, that of the 4to, 1600, is the best.

have broke with her father, and, his good will obtained, name the day of marriage, and God give thee joy!

Leon. Count, take of me my daughter, and with her my fortunes his grace hath made the match, and all grace say Amen to it!

Beat. Speak, count, 'tis your cue.

Claud. Silence is the perfectest herald of joy: I were but little happy, if I could say how much.-Lady, as you are mine, I am yours; I give away myself for you, and dote upon the exchange.

Beat. Speak, cousin; or, if you cannot, stop his mouth with a kiss, and let him not speak neither.

D. Pedro. In faith, lady, you have a merry heart.

Beat. Yea, my lord; I thank it, poor fool, it keeps on the windy side of care.-My cousin tells him in his ear, that he is in her heart.

Claud. And so she doth, cousin.

Beat. Good lord, for alliance! thus goes every one to the world but I', and I am sun-burned: I may sit in a corner, and cry, heigh ho! for a husband.

D. Pedro. Lady Beatrice, I will get you one.

Beat. I would rather have one of your father's getting. Hath your grace ne'er a brother like you? Your father got excellent husbands, if a maid could come by them.

D. Pedro. Will you have me, lady?

Beat. No, my lord, unless I might have another for workingdays: your grace is too costly to wear every day. But, I beseech your grace, pardon me; I was born to speak all mirth, and no matter.

D. Pedro. Your silence most offends me, and to be merry best becomes you; for, out of question, you were born in a merry hour.

Beat. No, sure, my lord, my mother cried; but then there was a star danced, and under that was I born.-Cousins, God give you joy!

Leon. Niece, will you look to those things I told you of? Beat. I cry you mercy, uncle.-By your grace's pardon. [Exit BEATRICE.

2

thus goes every one to the world but I,] "To go to the world" is again used by Shakespeare in "All's Well that Ends Well," A. i. sc. 3, to signify being married. See also "As you like it," A. v. sc. 3, where Audrey desires to be "a woman of the world." "I am sun-burned" has reference to the well-known proverb, which it is needless to illustrate.