The TempestThis edition of The Tempest is the first dedicated to its stage history. Dymkowski examines four centuries of mainstream, regional, and fringe productions in Britain, nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. She analyses the cultural significance of changes in theatrical representation, eg. when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration and contemporary reception. |
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LibraryThing Review
Nutzerbericht - Whisper1 - LibraryThingAs I continue my quest to read all books illustrated by Gennady Spirin, as always, I am totally amazed at the team of Beneduce and Spirin. The Tempest was William Shakespeare's final work. It is a ... Vollständige Rezension lesen
LibraryThing Review
Nutzerbericht - CharlesHollis - LibraryThingAn issue that I had with an earlier book in the series comes to fruition in this book. While I don't have an issue with Modern English being used in Early Modern plays, at least for younger audiences ... Vollständige Rezension lesen
Inhalt
Introduction | 1 |
List of characters | 94 |
The Tempest and commentary | 95 |
selected textual variations | 336 |
list of principal players | 343 |
349 | |
360 | |
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Häufige Begriffe und Wortgruppen
actors Adrian Alice Krige Alonso Antonio appeared archive video Ariel audience Ayrton Benedict Nightingale Benthall Benthall's Billington Boatswain Bogdanov's Bridges-Adams Brook's Caliban Ceres changed character costume courtiers Coveney Cut by Garrick Daily Telegraph Daly cut Daniels's Prospero directors Donnellan's dressed Dryden/Davenant and Shadwell entered exited Ferdinand Gielgud Gonzalo Hack cut Hall's hand Hippolito Hytner's Hytner's Prospero Iden Payne interpolated island Jacobean John Juno Kean Kean cut Kean's Kemble lines London looked lords Macready Macready's magic mariners masque Mendes's Michael Michael Billington Miller's Miranda Miranda and Ferdinand monster Ninagawa's nymphs off-stage performance Phelps Phelps's play production Prospero Prospero spoke Purcarete's respectively reviewer Salisbury Playhouse sang scene Sebastian Shakespeare's ship singing song speech spirits stage Stephano Stephano and Trinculo storm Stratford Stratford pb Strehler's Sycorax Tempest Tempest at Salisbury Thacker's Theatre theatrical thee thou thunder Tree's Trewin Trinculo versions Wardle Williams Williams's