The TempestCambridge University Press, 17.08.2000 - 373 Seiten This edition of The Tempest is the first dedicated to its stage history. Dymkowski examines four centuries of mainstream, regional, and fringe productions in Britain, nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. She analyses the cultural significance of changes in theatrical representation, eg. when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration and contemporary reception. |
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... Dryden and Davenant's Restoration adaptation ) , nineteenth- and twentieth - century American stagings , and recent Australian , Canadian , French , Italian and Japanese productions . In a substantial , illustrated introduction Dr ...
... Dryden and Davenant's Restoration adaptation ) , nineteenth- and twentieth - century American stagings , and recent Australian , Canadian , French , Italian and Japanese productions . In a substantial , illustrated introduction Dr ...
Seite xii
... Dryden and Davenant's Trincalo , whose difference from Shakespeare's character warrants reten- tion of his new name . For the reader's convenience , productions are identified by name of adapter / actor - manager / director ; for ...
... Dryden and Davenant's Trincalo , whose difference from Shakespeare's character warrants reten- tion of his new name . For the reader's convenience , productions are identified by name of adapter / actor - manager / director ; for ...
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... Davenant Duke's Company Lincoln's Inn Fields and John Dryden ( a ) Robert Johnson John Banister , Pelham Humfrey ? 1610-11 ? 7 November 1667 * William Charles Own Covent Garden Bradwell & Marshall Purcell , Arne , Linley 13 October 1838 ...
... Davenant Duke's Company Lincoln's Inn Fields and John Dryden ( a ) Robert Johnson John Banister , Pelham Humfrey ? 1610-11 ? 7 November 1667 * William Charles Own Covent Garden Bradwell & Marshall Purcell , Arne , Linley 13 October 1838 ...
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... ( Dryden / Davenant text ) Judith Fulman ( c ) AXX Adapter / actor - manager / Company Venue Design Music. David Scase ( d ) Library , Manchester Scase * Peter Brook ( d ) Shakespeare Memorial SMT , Stratford ; Peter Brook Peter Brook , et ...
... ( Dryden / Davenant text ) Judith Fulman ( c ) AXX Adapter / actor - manager / Company Venue Design Music. David Scase ( d ) Library , Manchester Scase * Peter Brook ( d ) Shakespeare Memorial SMT , Stratford ; Peter Brook Peter Brook , et ...
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Der Inhalt dieser Seite ist beschränkt..
Inhalt
Introduction | xxxii |
List of characters | 94 |
The Tempest and commentary | 95 |
selected textual variations | 336 |
list of principal players | 343 |
Bibliography | 349 |
360 | |
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actors Adrian Alonso Antonio appeared archive video Ariel Ashwell audience Ayrton Benedict Nightingale Benthall Benthall's Billington Birmingham Repertory Theatre Boatswain Bogdanov's Bridges-Adams Brook's Caliban Ceres changed costume courtiers Coveney Cut by Garrick Daly cut Daniels's Prospero directors Donnellan's dressed Dryden/Davenant and Shadwell entered exited Ferdinand Gielgud Gonzalo Hack cut Hall's hand Hippolito Hytner's Hytner's Prospero Iden Payne interpolated island Jacobean John Juno Kean Kean cut Kean's Kemble lines London looked lords Macready Macready's magic mariners masque Mendes's Michael Michael Billington Miller's Miranda Miranda and Ferdinand monster nymphs off-stage Old Vic performance Phelps Phelps's play production promptbook Prospero Prospero spoke Purcarete's respectively reviewer Salisbury Playhouse sang scene Sebastian ship singing song speech spirits stage Stephano Stephano and Trinculo storm Stratford Stratford pb Stratford-upon-Avon Strehler's Sycorax Tempest Tempest at Salisbury Thacker's theatrical thee thou thunder Tree's Trewin Trinculo versions Wardle Williams Williams's