The TempestCambridge University Press, 17.08.2000 - 373 Seiten This edition of The Tempest is the first dedicated to its stage history. Dymkowski examines four centuries of mainstream, regional, and fringe productions in Britain, nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. She analyses the cultural significance of changes in theatrical representation, eg. when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration and contemporary reception. |
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... Christine Dymkowski. THE TEMPEST ++ ** EDITED BY CHRISTINE DYMKOWSKI Reader in Drama and Theatre , Royal Holloway , University of London + CAMBRIDGE UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE.
... Christine Dymkowski. THE TEMPEST ++ ** EDITED BY CHRISTINE DYMKOWSKI Reader in Drama and Theatre , Royal Holloway , University of London + CAMBRIDGE UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE.
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... Theatre Studies as an academic discipline , we now understand that even Shakespeare is only one collaborator in the creation and infinite recreation of his play upon the stage . And just as we now agree that no play is complete until it ...
... Theatre Studies as an academic discipline , we now understand that even Shakespeare is only one collaborator in the creation and infinite recreation of his play upon the stage . And just as we now agree that no play is complete until it ...
Seite x
... theatre can often show where the energy and shape of it lie , what has made it tick , through many permutations . In this way theatre history can find common ground with literary criticism . Both will find suggestive directions in the ...
... theatre can often show where the energy and shape of it lie , what has made it tick , through many permutations . In this way theatre history can find common ground with literary criticism . Both will find suggestive directions in the ...
Seite xi
... Theatre Research for a grant that helped with the acquisition of illustrations ; and the copyright holders for permission to reproduce them . I have had enormous help from David Ward of my college library , as well as all the staff at ...
... Theatre Research for a grant that helped with the acquisition of illustrations ; and the copyright holders for permission to reproduce them . I have had enormous help from David Ward of my college library , as well as all the staff at ...
Seite xiii
... Theatre Museum for London and regional productions and from the Shakespeare Centre Library for Strat- ford and RSC productions ) . In the Commentary , books and articles are cited only by author and short title ; full details may be ...
... Theatre Museum for London and regional productions and from the Shakespeare Centre Library for Strat- ford and RSC productions ) . In the Commentary , books and articles are cited only by author and short title ; full details may be ...
Inhalt
Introduction | xxxii |
List of characters | 94 |
The Tempest and commentary | 95 |
selected textual variations | 336 |
list of principal players | 343 |
Bibliography | 349 |
360 | |
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actors Adrian Alonso Antonio appeared archive video Ariel Ashwell audience Ayrton Benedict Nightingale Benthall Benthall's Billington Birmingham Repertory Theatre Boatswain Bogdanov's Bridges-Adams Brook's Caliban Ceres changed costume courtiers Coveney Cut by Garrick Daly cut Daniels's Prospero directors Donnellan's dressed Dryden/Davenant and Shadwell entered exited Ferdinand Gielgud Gonzalo Hack cut Hall's hand Hippolito Hytner's Hytner's Prospero Iden Payne interpolated island Jacobean John Juno Kean Kean cut Kean's Kemble lines London looked lords Macready Macready's magic mariners masque Mendes's Michael Michael Billington Miller's Miranda Miranda and Ferdinand monster nymphs off-stage Old Vic performance Phelps Phelps's play production promptbook Prospero Prospero spoke Purcarete's respectively reviewer Salisbury Playhouse sang scene Sebastian ship singing song speech spirits stage Stephano Stephano and Trinculo storm Stratford Stratford pb Stratford-upon-Avon Strehler's Sycorax Tempest Tempest at Salisbury Thacker's theatrical thee thou thunder Tree's Trewin Trinculo versions Wardle Williams Williams's